Page 596 - Lokmanya Tilak Samagra (khand 2)
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PRIMITIVE  ARYAN  CULTURE  AND  RELIGION    377

               A  careful  examination  of  the  ~ig-Vedic hymns  will  show
           that  the  Vedic  ~ishis were  themselves  conscious  of  the  fact
           that  the  subject-m~tter of the  hymns  sung  by  them  was  ancient
            or  ante-deluvian.  in  character,  though  the  expressions  used
           were their own productions.  We  have  already  referred  before
           to  the  two  sets  of Vedic  passages,  the  first  expressly  saying  that
           the  hymns  were  made,  generated  or  fashioned  like  a chariot by
           the  ~ ~his  to  whom  they  are  ascribed,  and  the  other  stating  in
           equally  unmistakable  terms  that  the  hymns  were  inspired,  given
           or generated by  gods.  Dr.  Muir attempts to reconcile these  two
           contradictory  view   by  sugge  ting  that  the  different  }3.i~his
           probably  held  different  views;  or  that  when  both  of  them  can
            be  traced  to  the  same  author,  he  may  have expressed  the  one  at
           the  time  when  it  was  uppermost  in  his  mind,  and  the  other  at
           another;  or  that  the  Vedic  ~i~his or  poets  had no  very  clearly
           defined  ideas  of inspiration,  and  thought  that  the  divine  assis-
           tance  of which  they  were conscious  did  not render their  hymns
           the  less  truly  the  production  of their  own  mind.*  In short,  the
           existence  of a  human  is  not  supposed  to  be  incompatible  with
           that  of the  super-human  element  in  the  composition  of  these
           hymns.  But it will  be  seen that the above reconciliation is  at once
           weak  and  unsatisfactory.  A  better  way  to  reconcile  the  conflict-
           ing  utterances  of the  ~i~his  would  be  to  make  a  distinction
           between  the  expression,  language  or form  on the  one hand,  and,
           the contents, substance  or the  subject-matter  of  the  hymns  on
           the  other;  and  to  hold  that while  the  expression  was  human
           the  subject  matter  was  believed  to  be  ancient  or  superhuman.
           There  are  numerous  passages  in  the  ~ig-Veda  where  bards
           speak  of  ancient  poets  ( pilrve  r(~haya~ ),  or  ancient  hymns
           (I, 1, 2,; VI,  44,  13; VII, 29, 4; VIII, 40,  12; X,  14, 15; etc.)  and
           Western  scholars  understand  by  these  phrases  the  poets  or
           hymns  of the  past  generations  of Vedic  bards,  but  not  anterior
           to  the  post-Glacial  times.  But  there  are  clear  indications  in  the
           hymns  themselves  which  go  to  refute  this  view.  It is  true  that
           the  Vedic  bards  speak  of  ancient  and  modern  hymn  ;  but  they
           often  tell  us  that  though  the  hymn  is  new  ( navyas£ ),  yet  the
           god  or  the  deity  to  whom  it  is  addressed  is  old  ( pratna ),  or
           ancient,  (VI,  22,  7;  62,  4; X,  91,  13;  etc.).  This  shows  that the
                                             \
               •  See Muir 0. S. T. Vol.  III, pp.  274-5.
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