Page 598 - Lokmanya Tilak Samagra (khand 2)
P. 598

PRIMITIVE  ARYAN  CULTURE  AND  RELIGION    379
           that  the  deities  have  been  called  ancient  in  contradistinction
           with  the songs  offered  to them ( VI, 62, 4 ), and are clothed with
           Polar  attributes,  at  once  enables  us  to  solve  the  question  by
           answering  that though  the  wording  of the  hymns  was  new,  their
           subject-matter  was  old,  that is,  traditionally  handed  down  to
           the  poet  from  remote  ages.  Thus  in  a  hymn  of  the  tenth
           Ma~!fala  (X, 72,1-2 ),  the  poet  desiring to celebrate the births
           or the origin of gods,  thus begins  his  hymn,  "  Let us,  from  the
           love  of praise,  celebrate,  in recited  hymns,  the  births  of  gods,-
           any one of us who in this later age may see  them,  ( ya!z  pashydd
           uttare  yuge ). "  Here  we  have  a  distinct  contrast  between  the
           births  of  gods  on  the  one  hand  and  the  poet who  may  see
           the  hymn  in  the  later  age  on  the  other,  evidently  meaning  that
           the  subject  matter  of the  hymn  is  an occurrence  of the  former
           age  ( yuga ),  and  that the  poet  celebrates  as  he perceives  or sees
           it in the later age.  The view that the Vedic hymns,  or  rather  their
           contents,  were  perceived  and  not  made  by  the  ~.i~his,  derives
           material  support  from  this  statement.  A  similar  expression  is
           also  found  in VIII,  59,  6,  which  says  "Indra  and  Varu~a ! I
           have  seen ( abhi apashyam ) through  tapas  that which  ye formerly
           gave  to  the  ~ishis, wisdom, understanding of speech,  sacred  lore
           ( shrutam )  and  all  the  places  which  sages  created  when
           performing  sacrifices.  "*  The  notion  about  the  perception  Of
           the  subject-matter  of the  Vedic  hymns  is  here referred to almost
           in the  same  terms  in  which  it  is  expressed  by Vyasa  in  the
           Mahabharata  verse  quoted  above;  and  with  such  express  text
           before  us,  the  only  way  to  reconcile  the  conflicting  statements
           about  the  human  and  the  superhuman  origin  of the  hymns  is
           to  refer  them to  the form  and the  matter  of the  hymns  respec-
           tively,  as  suggested  by  Patanjali  and  other  scholars.  Dr.  Muir
           notices  a  passage ( VIII,  95,  4-5 )  where  the poet is  said  to  have
           "  generated  ( ajtjanat )  for  Indra  the  newest  exhilarating
           hymn  ( navtyas£m  mandram  giram )  springing  from  an  intelli-
           gent,  mind  an  ancient  mental  product  ( dhiyam  pratnam ), full
            of sacred truth.  "t Here  one  and the same hymn is  said  to be
            both  new  and  old  at  the  same  time;  and  Dr.  Muir  quotes

               •  ~ig. VIII,  59,  6 -WWIT ~ ~ qRt ~Rl ~d+l({'M•il  I  ~T~
           ~Jtfrrll~;;okr '11'1\T  ~ tfi'Cfliii'EtNtll~~if_ II
               t  See Muir 0. S.  T. Vol.  III,  p.  239.
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