Page 570 - Konferensiya to'plami - 1 (ASR)

a cornerstone of the form, challenging writers to distill their ideas into their purest
essence and inviting readers to find meaning in the spaces between words.

REFERENCES
1. Bethea, Arthur. Technique and Sensibility in the Fiction and Poetry of Raymond
Carver. Routledge, 2009.
2. Carver, Raymond. Cathedral. Vintage, 1983.
3. Davis, Lydia. Break It Down. Farrar, Straus and Giroux, 1986.
4. Fish, Stanley. Is There a Text in This Class? The Authority of Interpretive
Communities. Harvard University Press, 1980.
5. Frost, Laura. The Problem with Pleasure: Modernism and Its Discontents*.
Columbia University Press, 2017.
6. Genette, Gérard. Narrative Discourse: An Essay in Method. Cornell University
Press, 1980.
7. Hemingway, Ernest. Hills Like White Elephants. In Men Without Women,
Scribner, 1927.
8. Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction.
Routledge, 1988. .
9. Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Johns
Hopkins University Press, 1978.
10. Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism.
Duke University Press, 1991.
11. Johnson, Mark. Minimalism and the Short Story. Cambridge University Press,
2020.
12. Lamb, Robert Paul. "Hemingway and the Creation of the Twentieth-Century
Short Story. The Cambridge Companion to Hemingway*, edited by Scott
Donaldson, Cambridge University Press, 1995.
13. Lohafer, Susan. Reading for Storyness: Preclosure Theory, Empirical Poetics,
and Culture in the Short Story. Johns Hopkins University Press, 2003.
14. May, Charles. The Short Story: The Reality of Artifice*. Twayne Publishers, 1995.
15. Smith, Sarah. The Power of Brevity: Laconism in Modern Literature. Journal of
Literary Studies, vol. 34, no. 2, 2018, pp. 45-60.

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