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Meet the
         MEET THE PRODUCERS Producers




        BEHIND THE MUSIC WITH HI-FI NEWS & RECORD REVIEW

        The Bomb Squad


        In the last of our series celebrating the work of those masters behind the mixing desk,
        Steve Sutherland tells the story of not one producer but a hip-hop production team
        whose looping and layering of samples revolutionised the way records were made

                n this particular point,
                Chuck D is unequivocal.      Public
                ‘Our sole intention was   è  Enemy
        Oto destroy music’. The        co-founder
        record he’s talking about, released in   and Grammy-
        June 1988, is hip-hop giants Public   nominated
        Enemy’s second LP, It Takes A Nation   producer Mr
        Of Millions To Hold Us Back.   Hank Shocklee
          The ‘we’, as in ‘our’, is The Bomb   in 2016
        Squad, Public Enemy’s production
        team: headed up by Mr Hank          Promo
        Shocklee and aided and abetted by   ê shot of
        his brother Keith, Chuck D himself   Chuck D from
        (sometimes credited as Carl Ryder),   2000 and
        Eric ‘Vietnam’ Sadler and Gary G-Wiz.   (inset) Public
        With It Takes A Nation… The Bomb   Enemy’s
        Squad revolutionised hip-hop and   It Takes A
        the art of record production itself.  Nation Of
                                       Millions...
        ON MESSAGE
        Hank’s background was in Dj-ing and
        radio around New York and, once
        Chuck D and his college pal
        Flavor Flav formed Spectrum
        City, which morphed
        into Public Enemy upon
        their signing to Def Jam
        records, Hank fell into
        working with them
        natural as breathing.
          ‘I’ve always been an
        avid listener of music that
        had a message’, he says.                             ‘When you’re listening to  talk to Flav, he’s got a soundtrack
                                                           groups like Sly And The Family   in his head. But for me, it was a
                                                        Stone and Bob Marley And The   combination of things because,
                                                     Wailers and... Gil Scott Heron, you’re   when I’m looking at music, I’m
                                                     listening to Marvin Gaye, you’re   looking at it not in terms of what
                                                     listening to Stevie Wonder. Those   one particular song gives me but
                                                     are records that were more than just   what many songs have in common.’
                                                     records – they were soundtracks of
                                                     our lives. They were also statements   PIECE WORK
                                                     of social issues and concerns.   ‘So I would have to say that It Takes
                                                        ‘That’s why I fell in love with   A Nation… is Rastaman Vibration.
                                                     hip-hop, because I was always   That it’s Gil-Scott Heron’s Winter
                                                     interested in cutting-edge music.   In America. It’s Sly And The Family
                                                     I saw the emergence of this street   Stone’s There’s A Riot Going On. It’s
                                                     music and it was teen-oriented.’  also Pink Floyd’s The Wall.
                                                        What Mr Shocklee did with his   ‘It’s so many records and pieces
                                                     passion was in a different state from   woven into each other in order to
                                                     ordinary once he hooked up with   make that statement. And keep in
                                                     Chuck D and co. ‘Everybody has a   mind, that statement was made
                                                     soundtrack in their head. When you   without real instruments. It was one

                                                     talk to Chuck, he’s going to have   of the first records that was made
                                                     a soundtrack in his head. If you   strictly from other records.’

        90 | www.hifi news.co.uk | DECEMBER 2020
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