Page 11 - Bloomberg Businessweek July 2018
P. 11

“I CANNOT STAND THAT THERE IS SUCH DISRESPECT TO THE MOST SACRED THINGS”
                                                        Bloomberg Businessweek
                                                           THE HEIST ISSUE


                  database while being observed. He’s afraid of driving   The break-in set off a chain reaction that rocked the
                 objects underground: If dealers learn that an ancient pot   biggest auction houses and museums and, ultimately,
                 is in Tsirogiannis’s Polaroid trove, it might never again see   led to Tsirogiannis’s career. When Sotheby’s published
                 the light of day because it risks being seized.  the catalog for its May 1987 London antiquities sale,
                   When he finished clicking through the last of Christie’s   investigators from the Italian Carabinieri art squad
                 109 lots, Tsirogiannis was ready to dive into his archive.   noticed that three lots appeared to match objects from
                 It’s meticulously organized so he can fetch images from   the burglary. The Carabinieri contacted Interpol, which
                 one of three major dealers, including Medici, and from gal-  relayed a request to the British police to block their sale.
                 leries and smaller dealers whose photos help him recon-  Sotheby’s pulled them from auction. More important,
                 struct who owned what and when. Within each of these   the operation yielded the name of the company that
                 libraries, he has folders for about 10 object types, ampho-  had consigned the three antiquities for sale: Editions
                 rae in one, kylix drinking cups in another. Those in turn   Services SA, based in Geneva and registered in Panama.
                 are categorized by shape and color. Figurines are sorted   Medici owned the shell company, which rented stor-
                 by animal type—horses are with horses, boars with boars.  age space at a gated warehouse complex where foreign
                   To vet the catalog, he’d made a list of about 15 sus-  goods in transit are exempt from Swiss taxes.
                 pect lots. Then, one at a time, he looked for matches.   In September 1995, after a lengthy standoff with the
                 The laptop screen was filled 14 across with thumbnails   shell company’s Swiss administrator, Swiss and Italian
                 from the Medici folder, and Tsirogiannis’s eyes darted   police searched the warehouse. Alongside thousands
                 left to right as he scrolled through in an intricate game   of artifacts, they found Polaroids and rolls of film—more
                 of Memory, where players turn over two cards            than 80 albums with about 4,000 photos. Some
                 at a time looking for a pair.                           depicted objects in fragments, encrusted with
                   He’d barely begun when he needed to run               dirt. Others showed the same objects under-
                 to a lunch meeting. He would continue the               going restoration, and yet more depicted them
                 search that evening; we could meet the next             fully restored. In a few photos, Medici posed

   64
   64            day, he said. As we prepared to leave, he               with the same works in American museums.
                 deleted the downloaded portion of the archive.            Sorting out the pictures for Italian prosecu-
                 Tsirogiannis’s curiosity proved overwhelming.           tors was a task that fell to Maurizio Pellegrini,
                 As soon as I left, he logged back in. “These are        a technician from the Villa Giulia Etruscan
                 things that always have priority for me,” he told       museum in Rome, and Daniela Rizzo, an
                 me later. What he found made him late for his           archaeologist there. They sought to match
                 appointment. By midnight, he’d alerted law              each of the thousands of photos to known
                 enforcement on two continents.                  pieces in  museums and collections around the world.
                                                                 The evidence they compiled helped lead to the return
                    he foundation for Tsirogiannis’s work began on the   of more than 100 objects from museums globally, includ-
                 Tnight of April 3, 1986. In the seaside town of San   ing New York’s Metropolitan Museum of Art, the J. Paul
                 Felice Circeo, south of Rome, intruders sawed through   Getty Museum in Los Angeles, and Boston’s Museum
                 the padlock on the massive front doors of a noble-  of Fine Arts. Italy seized the objects of apparent Italian
                 woman’s stone fortress while she was away. They used   origin at the warehouse, but many of them stayed in
                 axes to smash a set of inner doors and set about stripping   Geneva under Medici’s control.
                 the furnishings. On a patio, they found a 2,000-year-old   In 1998, Tsirogiannis graduated from the University
                 Roman child’s sarcophagus carved from a solid block of   of Athens, where he’d been studying archaeology and
                 white marble. They took that and the top of an ancient   art history. His career path had been set in 1977. When
                 marble column they spotted near the kitchen. Using   he was a 4-year-old growing up in Komotini, a small
                 a pickax, they also detached a white marble fireplace   town in northeast Greece, his parents had showed him
                 fashioned from another sarcophagus. It bore a carved   news paper photos from the newly excavated royal
                 bas-relief of a scene depicting sea horses and the head of   Macedonian tombs, which included the undisturbed,
                 Neptune, god of the seas, according to the police report.   gold-filled burial place of Philip II, the father of Alexander
                 Such ancient fixtures had legally made their way into pri-  the Great. “They showed me how these objects can be
                 vate collections through the centuries, long before Italy   discovered,” he said. “I found my cause.”
                 passed its cultural heritage laws in the early 1900s.  At university he largely skipped lectures to work on



                                               Lot 26, the erotic amphora Christie’s pulled from auction
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