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cal large castle-like part and the new part which is made in three storeys of su-

per-modern square and where the entire ground floor consists of a meter-high
glass facade. Part It all appears large, modern and impressive and forms a perfect

interplay with the huge beautifully designed: Propylene gate - or in everyday

speech: the Triumph arch, which sits at one end of the square. Gustav looks curi-
ous and interested as they slowly move through the beautiful art galleries until

they reach the Joseph Beuys exhibition, he casually he asks

“Who was Joseph Beuys really? I know about him, but only superficially, the era
in time he worked.”

"He was an art professor and artist, but now see some of his stuff before you get
to know too much about his motives and background,” she answers.

"It's an impressive museum, basically strange I've never been inside and seen it

before"
Their steps resonate as they walk through the permanent exhibit to the rooms

that house the large Joseph Beuys exhibit set up as a separate exhibit. They con-

tinue in silence through the Joseph exhibition it is a rule they have that when
they look at or assess they do not speak. But goes silent from one work of art to

another at one of the last works before the exhibition ends. The artwork depicts
a series of black-and-white photographs. The artist himself has a kind of sack or

large canvas over him as well as a stick in his hand and an ass trying to pull can-

vases of the artist by biting into the large piece of cloth that partially hides his
head and body the gloomy work is called: Locked in with a coyote.

"Do you believe in spells or have you ever heard of them?"

"Spells - what do you mean?" She looks at him in surprise. In that moment, his
phone rings and he picks up.

"Gustav here." He says softly and turns discreetly away from her.

"Hello, Mr Kräsen, you are talking to Crime Commissioner Shultz."
“Commissioner Shultz," he replies in a low voice and with a surprised look on his

face.

"I have terrible news for them, it was your secretary who gave me your private
number, because of the urgency," says Schultz.

"It's okay. How can I help you?"