Page 369 - J. C. Turner - History and Science of Knots
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362                     History and Science of Knots

          of the cloak, down the sides of breeches, along the seams and round the head
          of each sleeve, down the centre back seam, round the basque seam down the
          button-front, and round each buttonhole. The corresponding restrictions for
          women were the hem of the petticoat, down the fronts of gown and skirt,
          round the basque, and on bodices. [It is worth noting how this shows that
          lace was applied to cover all seams, so suggesting that tailors may have used
          long stitches for seaming.] To encourage his subjects to carry out his wishes,
          Louis XIV also imposed the heavy fine of 1500 livres (= 30,000 sols) upon
          any merchant caught selling foreign laces. To stimulate interest in the French
          textile industry, Colbert also imported skilled craftsmen from all over Europe,
          giving them special privileges and tax exemptions to persuade them to settle
          in France. Although the experiment failed in some areas-for instance, French
          serges lacked the texture of those made by the finer wool from sheep bred in the
          English Cotswolds, so that the waiving of loom-taxes for the immigrant Dutch
          and Flemish weavers was simply money wasted-the lace-making, silk-hosiery
          and tapestry industries were well established by these tactics.
              At this time too, court dress was made into something approaching uni-
          form. Only those who had warrants signed by the King could wear these
          Justaucorps a brevet, and warrants were only issued to those who could pay
          for the signature! The wearers of such coats-under-warrant could join in any
          royal party without invitation, their status being assured by their coats; the
          double advantages to the throne were the swelling of the royal coffers and the
          corresponding assurance that the princes of blood were now too poor to raise
          private armies. The lady's court dress (grand habit) was the style of 1670,
          for the manteau with its uncorseted comfort was thought to be unsuitable.
          The rigidly boned court dress left the shoulders bare; however, Louis XIV's
          sister-in-law went to mass one morning wearing a lace scarf over her shoulders,
          giving rise to the fashion for fichus. (When Louis complained of her casual
          appearance, Madame retorted that God would surely be less disturbed by her
          wrapped figure than by her chattering teeth!) One further touch was made by
          la Duchesse de Fontanges, whose hair caught in a branch while riding; to hide
          the disarray, she arranged a lace scarf over the top of her head, so giving rise
          to the fontange cap. The fashion for Court dress spread all over Europe, and
          Peter the Great brought the idea to Russia in 1698.
              In 1667 the request that the French nation should wear French lace was
          repeated, this time with expressions against the use of foreign laces; and in
          March 1668, an edict was published forbidding the importation of Venetian
          point and Genoese laces. A copy of Venetian point plat (in which the outlines
          are left unpadded, so producing a flat piece without any relief), was made
          at Alencon; this soon developed its own characteristics, and was known as
          Point de France. In general, the designs were more fluid, with a crisp ground,
          stiff outlines and delicately patterned fillings. Between 12 and 18 workers
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