Page 1315 - SUBSEC October 2017_Neat

PAPER 02 – MARKING CRITERIA FOR PERFORMANCE OPTIONS

OPTION A: DRAMA

(a) DRAMA IMPROVISATION – 30 marks

PROFILE – APPRECIATING AND ANALYSING (3 marks)

Articulation of choices based on the “viva voce”

• Very good articulation of choices 3
• Good articulation of choices 2
• Weak articulation of choices 1

PROFILE – PERFORMING (18 marks)

Effective establishment of situation (6 marks)

• Very good delineation of dramatic problem, roles and relationships, place 5-6
and time
• Good delineation of dramatic problem, roles and relationships, place and 3-4
time
• Weak delineation of dramatic problem, roles and relationships, place and 1-2
time

Dramatic creation of material (4 marks)

• Very good development and resolution of dramatic problem; very good use 4
of conflict; spontaneity, decision making evident
• Good development and resolution of dramatic problem; good use of 2-3
conflict; spontaneity, decision making
• Dramatic problem weakly developed and resolved; weak use of conflict; 1
spontaneity and decision-making somewhat evident

Characterisation (4 marks)

• Effective use of body and movement, voice and dialogue to portray 4
character
• Good use of body and movement, voice and dialogue to portray character 2-3
• Weak use of body and movement, voice and dialogue to portray character 1

Use of performance space – defined in action and used consistently and action
visible and audible at all times (4 marks)

• Adapts action to given space and ensures action is visible and audible at all 4
times
• Adapts action to given space and ensures action is visible and audible most 2-3
times
• Adapts action to given space and ensures action is visible and audible 1
sometimes

CXC 32/G/SYLL 17 64