Page 1157 - SUBSEC October 2017_Neat
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SECTION 4: COMPOSING (cont’d)


               3.      Students  should  be  encouraged  to  explore  existing  compositions  and  arrangements  for
                       different ensembles to aid them in creating original ideas. Through this exploration, students
                       should be encouraged to analyse and discuss the various musical changes that would have
                       been necessary in maintaining the effectiveness of the original composition.

               4.      Students should be allowed to explore a wide range of sound by listening to and manipulating
                       various sound sources, sound makers and instruments (classroom, body percussion, electronic,
                       orchestral and improvised sources).  Have students describe the mood created when various
                       sounds from different sound sources are combined.

               5.      Students should be encouraged to develop broad musical interests and to explore unfamiliar
                       material  independently  within  a  non-competitive  atmosphere.    Through  this  exploration
                       student should be encouraged to write their observations and discuss among themselves how
                       various musical and extra-musical stimuli influence the creation of different compositional
                       types.

               6.      Teachers are encouraged to guide students in creating a Time Plan to guide the process of
                       composing and arranging their musical pieces. Students should include realistic goals, targets
                       and deadlines on the Time Plan.  Teachers should ensure that the timelines are closely aligned
                       to the continuous assessment dates for the creative work and creating a disciplined approach
                       in accomplishing the tasks.

               7.      Teachers should plan and organise activities that will ensure students become familiar with
                       compositional  and  arranging  devices  such  as  riff,  or  ostinato,  call  and  response,  common
                       harmonic progressions, accompaniment patterns, syncopation, rhythmic and melodic motives,
                       regular  and  irregular  metres,  forms  and  structures  modulations,  range  and  tessitura  of
                       instruments.

               8.      Teachers are encouraged to demonstrate the use of technological tools and other devices to
                       help students to identify the correct recording format and delivery of the work for assessment.

               9.      Teachers should ensure that opportunities are created for students to:

                       (a)    develop  the  discipline  and  other  personal  skills required  to  work  independently  or
                              within a group to discuss ideas, make decisions, and critically appraise the products of
                              their creative effort;

                       (b)    experiment with various ways of appropriately and accurately recording or notating
                              their compositions to allow for easy access to their works. This includes exposure to
                              and evaluation of various available software and hardware tools;

                       (c)    develop  evaluative  and  reflective  skills  by  self-assessing  compositions  and
                              arrangements; and,

                       (d)    develop leadership skills by planning and executing rehearsals for the live performance
                              and audio recording of the compositions.




                                  CXC 31/G/SYLL 17         36
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