Page 8 - DILMUN 9
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Tabal Tamboora.                                sense of form, which is so satisfying intellectu­
                                                           ally to the lover of classical Arab music.
                                                             The Muwasha was and is the accepted mode
                                                           of composition in the Arab countries of the
                                                           mediterranean littoral. From Morocco east­
                                                           wards, through Egypt to Syria, Lebanon, Central
                                                           Arabia and Iraq, this music is the characteristic
                                                           vehicle of expression. Modern composers have
                                                           orchestrated it- and the use of piano, violin,
                                                           cello and electric guitar is standard to their
                                                           compositions, and their re - interpretations of
                                                           traditional melodies.
                                                              But southward to the Indian ocean another
                                                           mode developed, which is particular to the area
                                                           of the southern Arabian Gulf. This music is
                                                           known as F’jcri, and is the music of the sailors
                                                           and pearl divers, who were the source of the
                                                           greatest wealth of their primitive communities.

            produce an effect that is barbarically imposing.
              As they expanded westwards along the
            Mediterranean shore, the Arabs brought their
            music - and particularly their sense of timing -
            with them. In the brilliant and seminal
            culture that evolved in Spain arose that
            marriage of rhythm and feeling which formed
            the classical style, the Muwasha, which is still
            employed throughout the Arab world. The
            love-song, the Andalus. which is the product
            of this cross - fertilization, takes its name from                                 Merwas
            Spain and is the purest expression of that capa­
            city for intense feeling, allied with the strictest

                                                              Forced by the inhospitable nature of the
                                                            land at their backs, the people of the Gulf
                                                            turned outward to the sea and became the great
                                                            traders and navigators of the Arab world. Their
                                                            fleets went east and west to India and Africa,
                                                            and they were in constant contact with their
                                                            neighbours of the Persian shore. Evidence of
                                                            these influences is to be found in F'jeri music,
                                                            which has in it elements of foreign origin, as in
                                                Rababa      the use of the Meruwas, a small drum held in
                                                            one hand, and struck with the index finger. The
                                                            Meruwas resembles a South Indian drum.
                                                              The pearling fleet spent up to four months a
                                                            year on the pearl banks, at the season of
                                                            greatest heat and humidity, when the water
                                                            was warm and still. The life was hard and
                                                            monotonous and, .to relieve this, musicians, and
                                                            singers were part of the crew, entertainers hired
                                                            specially for the purpose of keeping up the
                                                            divers’ spirits and to make the time pass more
                                                            quickly. The captain who could provide a
                                                            favourite singer or player was assured of the
                                                            pick of the divers available, for they would
                                                            choose him in preference to one who might offer
                                                            higher wages but inferior entertainment.



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