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BOOKENDING AN ICONIC


           PHOTOGRAPHER’S CAREER



           A brother’s love sparks and preserves a distinctive oeuvre

           by Katy Smith


                    uxe and highly saturated images    As a young adult, Bill Silano was a bank   ‘This acquisition
                    were his trademark, and he brought   teller. At his brother’s suggestion, he took a
                    surrealism to fashion photography   photography course from Alexey Brodovitch, the
                    using scale and color. Now, Bill   famed art director of Harper’s Bazaar. It became   adds new depth
                    Silano’s photos will expand the   clear that the young photographer had an innate
                    fashion collection at the University   talent and a tremendous passion for the craft, but   and dimension to
                    of Arizona’s Center for Creative   he lacked connections and experience.
        LPhotography, thanks to his brother            “He was struggling in Manhattan, trying   our growing fashion
           George Silano.                           to get going, and I took him to Europe as my
              “When you see a Bill Silano photograph, you   assistant,” George Silano says.
           know it’s his work. You don’t have to search for a   Bill Silano joined his brother on a job shooting   photography collection
           credit,” says George Silano.             an industrial film for Volkswagen in Germany.
              From the 1960s to the ’80s, Bill Silano’s photos   He used the opportunity to spend time in Paris,   and strengthens
           appeared on many Harper’s Bazaar covers as well   where he met influential people and his first
           as editorial spreads for Italian, French and British   photos were published.       the potential for
           Vogue; French Elle; Mademoiselle; Town and   When he returned to New York, he began his
           Country; and Glamour.                    decades-long relationship with Harper’s Bazaar.
              A New York native, Bill Silano died at age 80,   “That trip turned him into what he became.   multidisciplinary
           and his life and works were celebrated in his   And after he died, I’m the guy who got him into
           2014 obituary in The Villager: “Silano’s unique   CCP. I’m very grateful I was able to help him in   scholarship.’
           vision and dedication propelled him to the   that way,” George Silano says.
           heights of the ultra-competitive world of fashion   A meeting with Chief Curator Becky Senf
           photography at a time when the art of the craft   convinced George Silano that his brother’s
           ruled.”                                  original slides and working materials would be in
              Soon after choosing CCP as the home for the   good hands with CCP.
           photographer’s prints and working materials,   “It was because of Becky’s enthusiasm and
           George Silano made a second gift in his will,   her impeccable eye. When she saw Bill’s work,
           representing a significant portion of his estate,   she understood it had a position in the history of
           to support fashion photography in his brother’s   fashion photography,” he says.
           honor. He takes particular pride in “bookending”   Fashion photography is a priority for the
           his brother’s career through both gifts, because   center, Senf says. The archive of Louise Dahl-
           he helped launch it.                     Wolfe and a strong Richard Avedon collection
              George Silano, a well-known cinematographer   were the existing cornerstones. Adding Bill
           and director, now retired, piqued his brother’s   Silano’s materials brings opportunities to make
           interest in photography when he set up a   meaningful comparisons between the artists.
           darkroom as a child. Later, returning from   And fashion photography’s scholarly potential
           military duty, he gave his brother an Army Field   goes beyond visual disciplines, says Anne
           Manual of Photography.                   Breckenridge Barrett, the center’s new director.
              Shortly before his death, Bill Silano told a   “This acquisition adds new depth and
           writer from the magazine Glass that he read the   dimension to our growing fashion photography
           book cover to cover and learned much about the   collection and strengthens the potential for
           technical aspects of photography.        multidisciplinary scholarship across themes such
              “It was written by the best minds, to be easily   as culture, society, gender roles and feminism,”   William Silano, untitled, c. 1970. William Silano
                                                                                               Archive, Center for Creative Photography,
           understood by those of lesser inclination. I found   Barrett says.                  University of Arizona © Center for Creative
           it incredibly informative, and tried to apply what   “I am thrilled that William Silano’s archive   Photography, Arizona Board of Regents
           I learned to realize my vision.”         will be stewarded by CCP.”


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