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European nation in 1998, so too is Latvia after emerging from its own far more
        arduous “Soviet time.” This exhibit, which also coincides with Latvia’s centennial,
        is intended to celebrate that, as well as Latvian-American friendship, as well as
                       my own blossoming relationship with Latvija.


        Fortunately, and blessedly, I have a much larger exhibition space to work with
        this time—in effect, an entire building, or most of it, the building in question
        in question being the magnificent, 59 year old revarnished and renovated VEF
                                 Culture Palace in Riga.


        My co-curator, the photographer Loreal Prysyaj, and I, have tried to take full
        advantage of the opportunity, organizing the exhibit in semi-circular fashion,
        as well as one which emphasizes the strengths of my oeuvre, while flowing                                    GOTHAM
        from East to West. Thus the photos of New York City and Cornell are mounted
        in the ground floor Gallery area; then the visitor enters the Vestibule where
        the “American Miscellany” -U.S. sans New York and California—and Portraits
        are exhibited, before ending his or her journey on the balcony with the West
                                   World collection.                                                     The city seen from the Queensboro Bridge is in
                                                                                                         some ways the city seen for the first time, in all its
        Profuse thanks to Chad Twitty, the public affairs officer of US Embassy Riga                            promise and mystery and beauty.
        for catalyzing the exhibit, including securing a generous grant from the U.S.
        government. Ditto his marvelous colleagues, Sintija Jurgelane and Lauma                                - F. Scott Fitzgerald, The Great Gatsby
        Bruvele. I also am very grateful to Liene Kubilius and Sandra Zandberga, the
        director and artistic director of the Culture Palace, for affording me the great
               privilege of mounting My America 2 in their capacious house.
                                                                                                         Everything  in  New York is  a photograph. All  the
        I am deeply indebted to Dace Liga Saukuma, my creative associate and chief                       things that are supposed to be dirty or rough and
        Latvian aide-de-camp for overseeing and expediting virtually every aspect of                          unrefined are the most beautiful things.
        the exhibit, including the publication of this catalog. A heartfelt liels paldies to
        Linda Lukasinska and Māra Vulfa of NRG Art House, for designing it. Thanks,                         - Ann-Marie MacDonald, Fall on Your Knees
        too, to my friend and fellow photographer, Loreal Prystaj, for helping me select
                the ingredients for this pictorial bouillabaise, and serving it.

                                  - Gordon F. Sander










                                Photo of me by Steven Albahari
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