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        independent, nonpartisan think tank in Washington, DC, dedicated to the study   Portrait Gallery, London; p. 63 (B): NPG 6361 P.D. James by Michael R. Taylor
        of the movement of people worldwide, www.migrationpolicy.org; Fitsense Sports   oil on canvas, 1996 © National Portrait Gallery, London; p. 64: Mike Booth/
        for the text on p. 160 adapted from ‘Marathon Training’, Fitsense. Reproduced   Alamy; p. 68 (B/G, T): Quentin Bargate/Loop Images/Superstock; p. 68 (B): Niels
        with permission; The Economist for the audio recording and recording script on   Poulsen DK/Alamy; p. 69 (BL): Estudi M6/iStock/Thinkstock; p. 69 (BR): Monkey
        p. 206 adapted from ‘About, Face Prosopagnosia’, The Economist, 13 December   Business Images/Shutterstock; p. 71 (T): Moviestore Collection Ltd/Alamy; p. 71
        2004. Copyright © The Economist Newspaper Limited, London 2004; Guardian   (B): Miramax/A F archive/Alamy; p. 74 (1): Image Studio/Getty Images; p. 74 (2):
        News and Media Ltd for the audio recording and recording script on p. 231   Gwyn Photography/Getty Images; p. 74 (3): Art Directors & TRIP/Alamy; p. 74
        adapted from ‘Life Swap’ by Amy Smith and Hoda Baraka, The Guardian, 31
        October 2006. Copyright © Guardian News & Media Ltd 2006; The Washington   (4): Stevens Frémont/Corbis; p. 74 (5): Nicky J. Sims/Redferns/Getty Images; p.
        Post for the audio recording and recording script on pp. 237–238 adapted from   76 (B/G): Bram Janssens/Hemera/Thinkstock; p. 77: Adrea Danti/Shutterstock; p.
        ‘Signs of Thaw in a Desert of Snow’ by DeNeen L. Brown, Washington Post   79 (B/G): Veyronik/Shutterstock; p. 79 (T): Everett Collection/Rex Features; p. 79
        Foreign Services, 28 May 2002. All rights reserved. Used by permission and   (B): Sanjay Jha/Rex Features; p. 81 (T): Daniel Rooney/Alamy; p. 81 (B):
        protected by the Copyright Laws of the United States. The printing, copying,   Manchan/Getty Images; p. 83 (TR): Evlakhov Valerly/Shutterstock; p. 83 (TC):
        redistribution, or retransmission of this Content without express written   Image Source/Rex Features; p. 83 (BC): Alan Crawford/iStock/Thinkstock; p. 83
        permission is prohibited.                               (L): Raphael Fournier/Rex Features; p. 84: Radius Images/Corbis; p. 85: Radharc
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        The authors and publishers acknowledge the following sources of   Weeks/WireImage/Getty Images; p. 88 (T): Ken McKay/Rex Features; p. 88 (B):
        copyright material and are grateful for the permissions granted. While   David Pearson/Rex Features; p. 89: ©2013 NBC Universal Media, LLC/Getty
        every effort has been made, it has not always been possible to identify   Images; p. 90: ITV/Rex Features; p. 91: ITV/Rex Features; p. 92: PhotoEdit/
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        any omissions are brought to our notice, we will be happy to include the   Shutterstock; p. 96 (BL): Jonathan Hordle/Rex Features; p. 96 (TR): Andrew Fox/
        appropriate acknowledgements on reprinting.             Alamy; p. 96 (BL): Bridgeman Art Library/Superstock; p. 97 (T): Associated
        The publisher has used its best endeavours to ensure that the URLs for   Sports Photography/Alamy; p. 97 (B): Paramount Television/ Ronald Grant
        external websites referred to in this book are correct and active at the time   Archive; p. 101: Rex Features; p. 102 (1): MobileDemand; p. 102 (2): format4/
        of going to press.  However, the publisher has no responsibility for the   Alamy; p. 102 (3): Warren Jacobs/Art Directors & TRIP; p. 103 (TL): Gavin
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        content is or will remain appropriate.                  H Mark Weidman Images/Alamy; p. 103 (TR): UpperCut Images/Alamy; p. 103
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        Photo acknowledgements:
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        Woods Whearcroft/Aurora Photos/Corbis; p. 8 (BL): Derek Massey/Alamy; p. 9   Lishman/Juice Images/Corbis; p. 106 (BR): wavebreakmedia/Shutterstock; p. 107
        (BL): Julie Edwards/Alamy; p. 9 (BC): Kenneth Garrett/National Geographic/  (T): Thomas Koehler/photothek images UG/Alamy; p. 107 (BL): ventdusud/
        Getty Images; p. 9 (BR): Mint Images - Tim Pannell/Getty Images; p. 11 (TL):   Shutterstock; p. 107 (BR): Alessandro Penna/Alamy; p. 108: Image Source/Alamy;
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        Images; p. 11 (BL): John Mottern/AFP/Getty Images; p. 11 (BR): Michael   travelib/Alamy; p. 110 (TR): Walter Schiesswohl/Getty Images; p. 110 (B): Images
        Buckner/Getty Images; p. 12: Ed Quinn/Corbis; p. 13 (L): Columbia Pictures/AF   of Africa Photobank/Alamy; p. 111 (TL, TR): Jupiterimages/Thinkstock; p. 111
        Archive/Alamy; p. 13 (BR): Reuters/Corbis; p. 13 (TR): David Montgomery/  (CL): David Young-Wolff/Getty Images; p. 111 (BL): GoGo Images Corporation/
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        p. 25 (BL): Radius/Superstock; p. 25 (BR): Ken Huang/Getty Images; p. 27 (BL):   PhotoAlto/Superstock; p. 129: Bryan and Cherry Alexander Photography, www.
        ©2012 FOX via Getty Images; p. 27 (TC, BL): Rex Features; p. 27 (TL): Joan   arcticphoto.com; p. 130:  Rick Friedman/Corbis; p. 131: Gerald Davies/Rex
        Wakeham/Rex Features; p. 27 (TR): ITV/Rex Features; p. 30 (TR, B/G):   Features; p. 132: Jan Greune/LOOK/Photoshot; p. 133: Konrad Wothe/Minden
        VOLODYMYR GRINKO/iStock/Thinkstock; p. 31 (Bourgeois): Arthur Mones/  Pictures/FLPA; p. 134 (1): Sipa Press/Rex Features; p. 134 (2): Ashley Cooper/
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        Images/Superstock; p. 53 (TL): Modfos/Shutterstock; p. 53 (BL): Christopher   Features; p. 159 (B): Jupiterimages/Thinkstock; p. 196 (TL): GRANT ROONEY
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        Stormont/Corbis; p. 58 (2): Michael Doolittle/Alamy; p. 58 (3): Oli Scarff/Getty   Hendrickson/Digital Vision/Thinkstock.
        Images; p. 59 (1): Mark A Johnson/Alamy; p. 59 (2): Chris Howes/Wild Places   Illustration acknowledgements
        Photography/Alamy; p. 59 (3): Shannon Stent/Getty Images; p. 60: FirePhoto/  Jeff Anderson (Graham-Cameron Illustration) pp. 10(TL), 20, 55, 67, 98, 99, 120,
        Alamy; p. 61: Fuse/Thinkstock; p. 62 (1-5): News Syndication; p. 63 (T): NPG   121. Roger Harris (NB Illustration) pp. 11, 21, 48, 49, 158. Dusan Paulic (Beehive
        6415 Helen Mirren by Ishbel Myerscough, oil on board, 1997 © National   Illustration) pp. 10(BR), 35, 54, 80, 93, 147.
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