Page 86 - Southern Oregon Magazine Summer 2022
P. 86

feature | art tour


             DESMOND SERRATORE
             Desmond Serratore’s journey to being the artist he is today led
             to some interesting stops along the way. He liked to draw and          DESMOND SERRATORE
             paint as a little boy, and in early adulthood, he was an animator
             for Hanna-Barbera Studios, and worked in Hollywood for various
        places. He went into commercial art as a billboard painter in Las Vegas,
        which he enjoyed. That’s where he learned and honed his art skills.
        Upon retirement, Desmond moved to Southern Oregon. He soon met
        other artists and began doing plein air painting, inspiring a rebirth of
        his creativity.

        Today, he is part of Art Presence in Jacksonville, and has shown his work
        at Calathea Home & Gift. The Artists’ Workshop of Southern Oregon
        languished during COVID, but he helped revive the group, setting up
        times and destinations for plein air adventures they call paint outs. He
        also meets weekly with Urban Sketchers of Ashland. “I try to express
        the sense of place where I am, looking around for a design or pattern of
        shapes that would make an interesting picture. Setting is the picture, but
        I organize it into patterns.” He works in watercolors and oils.

        Desmond published Rogue Valley with a View, a compilation book of his
        landscapes in Southern Oregon. It can be found on Amazon.




        NICOLE WASGATT

        Nicole Wasgatt came to art in her mid-20s. Directly out of business
        school she was a commodity broker, which included teaching com-                NICOLE WASGATT
        modity trading seminars across the country. But she wanted more and
        took an evening art class. “It just lit me up,” she says. After relocating to
        Southern Oregon, she took more classes, focusing on representational
        art, but wasn’t totally satisfied. When she ventured into abstract paint-
        ing, she knew she had found her niche.

        For the last twenty years she and her husband have traveled extensively,
        sometimes with their kids, sometimes with extended family (She’s been
        traveling since she was 16, logging six continents and over 40 coun-
        tries.) At times they bike, and she frequently hops off to explore her
        surroundings in closer detail. While on their adventures, she gathers
        treasures and takes photos. Once back home, Nicole creates travelogues
        via abstract painting, narrating with her paintbrush. The pieces include
        objects she has picked up along the way – a stamp, a map, a scrap of
        paper; a receipt in another language with a red stamp becomes embed-
        ded in the painting.

        Nicole describes abstract painting as the artist interpreting something
        while focusing on form and color, but not in a photorealistic way. For
        her, art is therapy, allowing her to journal her experiences, her emo-
        tions, what’s happening in her life at that moment.

        “Art is essential,” Nicole says, “something necessary for a balanced life.”
        She feels art helps us grow.






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