Page 230 - Chinese SIlver By Adrien Von Ferscht
P. 230

What is unusual about the goblets is the creative ability to adapt the ubiquitous bamboo stems and foliage that
            would normally have been used as decorative motif and the support for the goblet stems to the thistle plant. It is
            particularly interesting to see how the silversmith has retained the traditional allegorical motif of the trunk [or in
            the case the thistle stem] emerging from a rocky mound; the allegorical symbolism being “steadfastness” had
            the thistle been a bamboo stem.



































            The  Cutshing  tea  set  [above]  could  easily  be  an  English  Regency  item  of  silver,  with  its  acanthus
            embellishments  and  half  fluting.  It  is  a  masterpiece  and  deserved  its  well-earned  sixteen  year  stay  at  the
            Metropolitan Museum of Art in New York.






































            Cutshing  was  also  renowned  for  its  fans;  the  silver  and  silver  gilt  filigree  brisé  fan  with  enamelwork
            embellishments is of a quality that would rival the finest Duvelleroy French fans of the late 18th and early 19th
            centuries.
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