Page 67 - Chinese SIlver By Adrien Von Ferscht
P. 67

the artisan makers became an anonymity, which is actually a sad fact given some of the
            finest  silver  was  produced  in  China  during  this  time.  This  applied  to  almost  all  Canton
            marks; it being the sole centre for the China Trade that foreign merchants were allowed to
            operate. It is quite lamentable that for such an extended period is is virtually impossible to
            ever know the identity of the artisan responsible for an individual piece of silver.












            Above,  a  version  of  the  maker’s  mark  for  WE  WE  WC  and  below  is  the  true  London
            hallmark for the William Eley, William Fearn and William Chawner.













            Of the known silversmiths of this early manufacturing period, one of the silversmiths who
            has “celebrity” status we simply know as “WE WE WC.” The meaning of the initials on this
            mark has never been discovered, assuming the initials actually do stand for something.
            WE WE WC operated in Canton between 1820 and 1880. From the marks that are to be
            found on silver items it is clear that consistency was again not part of the game plan and
            there  is  no  way  of  telling  whether  this  was  a  workshop,  a  retail  silversmith  or  even  an
            umbrella mark that was used for silver for a specific merchant or destination made by a
            workshop we know by another name. The particular peculiarity of this silver bearing this
            mark is it almost certainly began when copying a silver piece or pieces from the London-
            based silversmiths William Eley, William Fearn and William Chawner. Perhaps the “F” for
            Fearn was simply [or purposely] mistaken for an “E”. British and American merchants, sea
            captains and even crew members are known to have brought silver to Canton for the very
            purpose  of  copying;  for  crew  members  it  became  a  lucrative  sideline  while  they  were
            forced to wait months at Macau for the trade winds to change for their return voyage.

            The mark has to retain some of its enigmatic charm for now, but given silver carrying this
            mark was generally of the highest quality and almost always in the neo-classical style, not
            knowing the identity is frustrating.





            CHINESE CHARACTER MARKS.









            What we sometimes refer to as a “chop mark” is actually a form of seal that originated in
            China for official documents as a means of signature. When silver trade dollars came into
            usage, Chinese merchants stamped the dollar coins with their “chop mark” to attest to its
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