Page 101 - Bonhams Fine Japanese Art London Nov. 2019
P. 101

152  *
           HAKUIN EKAKU (1685-1768)
           HAKUE KANNON (WHITE-ROBED KANNON)
           Edo period (1615-1868), mid-18th century
           Kakejiku (hanging scroll), ink on paper in antique silk mounts, depicting
           the bodhisattva Kannon clothed in white robes seated on a pile of
           leaves, wearing her typical compassionate smile, at her right a branch
           of willow in a vase standing on a rock, inscribed above Jigen shijujo
           fukujukai muryo (The bodhisattva’s merciful eye watches over all living
           things, a limitless ocean of happiness and long life), the words fukuju
           (happiness and long life) written in larger characters, the painting of
           Kannon sealed Hakuin and Ekaku, the inscription preceded by a seal
           Rinzai seishu (The true Rinzai [Zen] succession) and concluding with
           two unread seals; with a wood tomobako storage box, the exterior
           inscribed Entsu daishi, Shoshukokushi shinhitsu (Kannon, an authentic
           painting by Hakuin); the interior with a certification by Shiya Shoun
           (also known as Genpo Sohan, 1874-1922), Abbot of Daitokuji Temple;
           accompanied by a label recording that the present lot was exhibited in
           Kumamoto in 1970 (see below).
           Overall: 193cm x 42.2cm (76in x 16 5/8in);
           image: 114.5cm x 34.5cm (45in x 13½in). (3).

           £15,000 - 20,000
           JPY2,000,000 - 2,600,000
           US$18,000 - 25,000

           Exhibited:
           Kumamoto Nichinichi Shinbun Newspaper, Koso iboku ten
           (Exhibition of Works in Ink by Buddhist Masters), Kumamoto City,
           Tsuruya Department Store, 22-24 October, 1970.

           For other Hakuin depictions of Kannon with similar iconography and
           attributes, compare Audrey Yoshiko Seo and Stephen Addiss, The
           Sound of One Hand: Paintings and Calligraphy by Zen Master Hakuin,
           Boston, Shambhala Publications, 2010, pl. 2.7 and 2.8; the branch
           of willow seen to the left of the composition can be used to ward off
           disaster or illness, while the bodhisattva’s white robes and leaf or grass
           mat—immortalized in a scroll by Kano Motonobu in the Museum of
           Fine Arts, Boston—became favourite attributes during the fourteenth
           and fifteenth centuries.





















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           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  99
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