Page 109 - Bonhams Fine Japanese Art London Nov. 2019
P. 109

162  *
           KYOKYOSHI (DATES UNKNOWN)
           EXCITED TRAVELER
           Taisho era (1912-1926), early 20th century
           Kakejiku (hanging scroll), ink and colours on paper in silk mounts,
           depicting a gigantically aroused traveller in traditional dress, his head
           invisible beneath his folded umbrella, standing on one leg, with cherry
           blossoms falling through a willow tree and down to the ground, a misty
           sun or moon in the upper background, inscribed with a 14-character
           Chinese inscription (see below); signed Kyokyoshi giboku
           (Inked for fun by Kyokyoshi) and sealed Kyokyoshi.
           Overall: 211cm x 51cm (83in x 20in);
           image: 129cm × 52cm (50¾in × 20½in).

           £800 - 1,000
           JPY110,000 - 130,000
           US$990 - 1,200
           The inscription may be translated ‘Flowers and willows were originally
           held in common; we do not allow wealthy guests to monopolize our
           sexual services’. It is not known who used the nickname Kyokyoshi
           (The Doubly Crazy Kid) that appears as the signature to this lot, but
           the first half of the inscription—花柳元是共有物—is documented as
           an example of the many graffiti written on the white-plastered walls of   163
           the Café Printemps, a bohemian haunt that opened in Tokyo’s Ginza
           district in 1911. Operated by the Western-style painter Matsuyama
           Shozo, Café Printemps was frequented by many of the leading artistic
           and literary figures of the day, often accompanied by geisha; see
           Count Yoshii Isamu (1886-1960), Seishun kaiko (Memoirs of My Youth),
           paragraph 9, accessible at https://www.aozora.gr.jp/cards/001497/
           files/51240_41907.html.

           163  *
           AFTER SHIBATA ZESHIN (1807–1891)
           CROWS IN FLIGHT
           Meiji era (1868-1912), late 19th/early 20th century
           Urushi (lacquer) on paper, framed and glazed, depicting three crows
           in flight, one partly cropped by the right-hand side of the composition,
           their feathers rendered in lustrous black lacquer, with signature
           Zeshin and seal Shin; with a cloth-covered cardboard box.
           Overall: 54.5cm x 70.5cm (21½in x 27¾in);
           image: 35cm x 45.5cm (13¾in x 17 7/8in). (2).

           £1,000 - 1,500                                     164
           JPY130,000 - 200,000
           US$1,200 - 1,900

           164  *
           ARTISTS UNKNOWN
           SCENES OF LOVEMAKING
           Taisho (1912-1926) and Showa (1926-1989) era,
           early/mid-20th century
           Two makimono (horizontal narrative handscrolls) by two different
           hands, each painted in ink and colours on silk; the first comprising
           eleven separate scenes of lovemaking, mounted on a silk backing
           with stylized gold cloud patterns, concluding with a single night
           scene of a man and his dog; the second compromising six scenes
           of lovemaking, within a striped silk border, one scene including a
           depiction of a storage box possibly dated Showa 23 (1948), the first
           scene with two seals; each with a wood storage box.
           The first: 312cm x 22cm (123¾in x 8 5/8in),
           each scene: 17.6cm x 22.1cm (7in x 8¾in);
           the second: 324cm x 25.5cm (127½in x 10in),
           each scene: 22cm x 32.5cm (8 5/8in x 12¾in). (4).  164

           £800 - 1,000
           JPY110,000 - 130,000
           US$990 - 1,200



           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  107
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