Page 24 - Bonham's Asian Art London November 2015
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VARIOUS OWNERS

                                                 58
                                                 A MAGNIFICENT DEHUA FIGURE OF GUANYIN
                                                 Attributed to Hui Jiang, 17th century
                                                 The Goddess of Mercy modelled kneeling on a tall rockwork plinth, the
                                                 body draped in long cascading robes opening at the chest to reveal
                                                 a pendant, the hair coiled up into a chignon and fastened with a tiara
                                                 and hairpin, the serene face with a small urna and peaceful, downcast
                                                 eyes, the left hand holding a small scroll, wood stand, fitted box.
                                                 32cm (12 5/8in) high (3).
                                                 £40,000 - 50,000
                                                 CNY390,000 - 480,000
                                                 HK$470,000 - 590,000
                                                 Guanyin, the gentle Goddess of Mercy, is expertly carved seated
                                                 with a contemplative downcast gaze and serene expression. The
                                                 consummate skill of the master is revealed by the fine carving of the
                                                 hair in a high chignon, bound by an intricate tiara and hairpin, as well
                                                 as the exposed right foot and graceful hands, the left hand gently
                                                 clasping a delicately carved scroll. Especially worthy of note is the
                                                 richly sculpted robe, falling in flowing folds, contrasting with the rocky
                                                 pedestal to create a heightened sense of texture.
                                                 Although the present lot is unmarked, the face, hair, robe and
                                                 rockwork bear a strong resemblance to a blanc-de-chine sculpture of
                                                 Guanyin by Hui Jiang, illustrated by P.J. Donnelly in Blanc De Chine,
                                                 New York, 1969, pl.82. Donnelly placed Hui Jiang under the category
                                                 of ‘hermits’, but admitted that due to lack of data, Hui Jiang could not
                                                 be represented in his book and dated him to around the second half of
                                                 the 17th century. However, the present lot may also be compared with
                                                 another very similar figure of Guanyin, without rockwork, in the Palace
                                                 Museum, Beijing, He Chaozong mark, illustrated in Gugong Guanyin
                                                 tudian, Beijing, 2012, no.177. This would strongly suggest that the
                                                 present lot was made in the early 17th century, around the same time
                                                 as He Chaozong, the greatest of the Dehua potters, was active. See
                                                 another very similar figure of Guanyin, He Chaozong mark, illustrated
                                                 by J.Ayers in Blanc De Chine: Divine Images in Porcelain, New York,
                                                 2002, p.83, no.34.
                                                 Compare with a similar blanc-de-chine figure of Guanyin, seated on
                                                 rockwork and clasping a scroll, sold at Christie’s New York, 24 March
                                                 2011, lot 1161.

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