Page 110 - 2021 March 15th Fine Chinese Paintings and Works of Art, Bonhams NYC New York
P. 110

PROPERTY FROM THE MEE-DIN AND ROBERT W. MOORE      For another Ming vessel displaying the same rather unusual
           COLLECTION OF CHINESE LACQUER                      ‘channelled’ carving of the floral design displayed on the interior sides
                                                              of our example, see Zhu Jiajin and Xia Gengqi, Zhongguo qiqi quanji.
           118                                                Ming [Lacquer treasures from China. Ming dynasty], vol. 5, Fuzhou,
           A CARVED CINNABAR LACQUER ‘SPRING-BLOSSOM          Fujian, 1995, p. 90, no. 88.

           COLLECTING’ RECTANGULAR TRAY
           Ming Dynasty, 16th Century                         For a polychrome lacquer painted tray bearing a Wanli reign mark
           With shallow rounded sides and canted corners, carved in a flat-  (1573-1620), with identical layout of the design, with a central ogival
           surfaced low-relief at the center with a scholar and his assistant   panel reserved on a cell-ground and bordered with scrolling foliage,
           carrying an early prunus blossom branch in a rocky setting with pine,   see also James C.Y. Watt and Barbara Brennan Ford, East Asian
           bamboo and prunus blossoms set within an ogival central panel which   Lacquer, The Florence and Herbert Irving Collection, New York, 1991,
           is reserved against a larger rectangular panel with a cloud motif on a   pp. 120-121, no. 51.
           cell ground, the interior up-curving sides carved in a more dense relief
           with channelled grooving to emphasize the trailing floral design, the
           exterior with a continuous single register of key-pattern above a thin
           line of simply-scooped semi-circle lappets, a short footrim and a plain
           black-lacquered base
           14in (35.5cm) across

           $4,000 - 6,000

           明 十六世紀 剔紅如意花卉紋人物長方盤




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