Page 204 - 2021 March 15th Fine Chinese Paintings and Works of Art, Bonhams NYC New York
P. 204

231                                               Painted in 1967, this composition typifies the abstract landscapes
           LIU GUOSONG (LIU KUO-SUNG, BORN 1932)             that Liu Guosong introduced to a North American audience through
           Canyon Scene, 1967                                a series of solo exhibitions in the late 1960’s. A 1967 solo exhibition
           Hanging scroll, ink and light color on paper, dated 1967, signed Liu   at the Lee Nordness Galleries on East 70th Street in New York City
           Guosong with one artist’s seal reading Liu Guosong.    was reviewed by New York Times art critic John Canaday. Describing
           20 1/2 x 22 7/8in (52 x 58cm)                     the artist’s approach, Canaday notes “ ...a dashing exponent of
                                                             traditional Chinese landscape painting hybridized with modern
           $25,000 - 40,000                                  abstraction. His apparently broom-sized brush, filled with ink or
                                                             color, charges around the field of the paper with great vigor; seas,
           劉國松 峽谷 設色紙本 立軸 一九六七年作                             mountains and valleys appear and disappear within the pattern; here
                                                             and there the paper seems to have been rent by the weights and
                                                             forces that open up chasms—but it is only collage. And all the while,
                                                             everything is very elegant.”






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