Page 54 - 2021 March 15th Fine Chinese Paintings and Works of Art, Bonhams NYC New York
P. 54

PROPERTY OF AN ENGLISH LADY                        The scene depicted on this delightful amber carving may well
                                                              represent a passage from the Daoist myth ‘Legend of the White
           53                                                 Snake’ (Bai She Zhuan). The two snakes on the interior of the
           A DAOIST DARK AMBER TREE-TRUNK-FORM MINIATURE      tree trunk probably show the snake-incarnations of Bai Suzhen,
                                                              a beautiful lady, and Xiaoqing, her maid. Whilst the seated figure
           VASE OR INCENSE-STICK HOLDER
           Late 18th-mid 19th Century                         hunched to one side may well depict Xu Xian, a young man
           Primarily carved as an old tree trunk forming a vessel or vase at the   whom Bai Suzhen falls in love with and marries. The appearance
           center and surrounded by leafy blossoming branches of prunus, peony   of the mythical three-legged toad further verifies the Daoist
           and millet that cover the surface, a hunched figure of a bearded and   subject. The long-tailed bird, shoudainiao, standing on plum
           robed gentleman sits to one side (possibly Xu Xian) on a rocky outcrop,   branches was another popular image and with the addition of
           his large straw hat tied on his back, before him stands a long-tailed   bamboo imagery forms the rebus ‘May husband and wife enjoy
           bird whilst under nearby knotty branches a mythical three-legged toad   longevity’ qimei zhushou.
           squats almost un-noticed, above on the interior rim of the tree-trunk
           are two slithering snakes (possibly Bai Suzhen and Xiaoqing).    It is interesting to note, that a large number of amber carvings,
           3 3/4in (9.5cm) high                               and indeed amber snuff bottles, depict scenes of Daoist themes.
                                                              It is possible given the wide-ranging Daoist subject matter of
           $3,000 - 4,000                                     these carvings, that a particular workshop or part of a Daoist
                                                              community, was the leading producer and that they found the
                                                              mystical qualities of the ‘fossilized’ resin material somehow in
           十八世紀晚期至十九世紀中期 琥珀雕仙人花鳥瓶                             balance or accordance with their alchemical leanings.







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