Page 104 - Christies September 13 to 14th Fine Chinese Works of Art New York
P. 104

PROPERTY FROM THE COLLECTION OF ARNOLD SCAASI AND PARKER LADD
                           1128
                           A RARE PAIR OF MONUMENTAL PAINTED STUCCO FIGURES OF BODHISATTVAS
                           YUAN-MING DYNASTY, 13TH-14TH CENTURY
                           Each fgure is a manifestation of Avalokiteshvara, shown standing on a lotus base with head framed
                           within a halo and hands held before the body in amida mudra. One fgure wears a green scarf draped
                           over the shoulders and then looped over the forearms before trailing down the sides of a long, red skirt
                           with striped borders that is belted at the waist and tied around the hips with a scarf decorated with
                           fower sprigs. The other also wears a long, green celestial scarf as well as a red robe draped over the left
                           shoulder and worn over an ochre skirt with black and white striped borders, and each wears a pleated
                           green underskirt just visible above the feet, as well as bracelets and a foliate necklace that spans the
                           chest. The delicate facial features are set in a serene expression enhanced by the smooth, white pigment
                           of the skin and set of by the blue pigment of the hair which is worn in a topknot hidden behind the gilded
                           foliate crown centered with a fgure of Amitabha Buddha.
                           85 in. (2.16 m.) high, wood stands

                                                                                           (2)
                           $400,000-600,000

                           PROVENANCE
                           Christie’s New York, 18 September 1997, lot 301.
                           Similar types of fgures can be seen in a number of Buddhist temples of the Ming dynasty in Shanxi
                           province. In the Guanyin Hall and the Thousand Buddha Hall of the Shuanglin Temple in Pingyaoxian,
                           south of Taiyuan, large numbers of clay fgures of heavenly bodhisattvas adorn the walls. They are
                           dressed in robes whose details are strongly modeled to emphasize the thickness of the drapery folds
                           and the often unusual swirling and futtering patterns of hems and borders of the layered gowns,
                           sleeves, shawls, etc. Like the present pair they are painted predominantly in red and green pigments
                           with added relief decoration. The facial features are delicate and feminine, the hair arranged in two
                           curls at the front, above the large urna. Similar types of fgures can also be seen in the Zhenguo and
                           the Shuanglin Temples, also in Pingyaoxian: see The Research Institute of the Buddhism Culture of
                           China, Buddhist Sculpture of Shanxi Province, Hong Kong, 1991, pls. 11, 15, 18 and 172-180.
                           元/明 彩塑菩薩立像一對
































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