Page 242 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 242

Northern salt, gum ammoniac, ibex grease, honey, frankincense, celery, calamine  (?),  onion,
             hammering-flakes from  copper, grease of sheep, cumin, oil  and natron are ground and it is
             bandaged therewith. 2
         The small amount of copper ions needed  for treatment could have been supplied by either cop­
         per  or copper  sulfides. In a recipe to remedy an injury  to the  eyes, Pliny states that  "stibium,
         malachite, red ochre, sory and honey are applied to the eye-lids."  Sory has  been identified by
                                                              3
         Knoll and colleagues  (i985)  as referring to the copper sulfides, although other authors regard it
         as probably a basic copper sulfate  (see  CHAPTER  4).  Sugars and other organic ingredients in the
         honey probably produced copper salts in the mixture. One of the advantages of the copper sul­
         fides  in  medicinal recipes is that their low  solubility in  aqueous solution allows control over the
         amount of copper delivered by the ointment or preparation.
             The synthesis  of  copper sulfides for another medicinal was also recorded by Pliny in  the  fol­
         lowing passage:

             Taken with honey it also acts as an emetic, but for this Cyprian copper with an equal weight
             of sulphur is  roasted in  pots of unbaked earthenware, the mouth of the vessels being stopped
             with  oil;  and then left in the furnace  till  the vessels themselves  are completely baked. 4

             The Mappae clavicula,  a medieval Latin manuscript containing recipes  from  the Classical
         world  (Smith and Hawthorne 1974), includes a recipe by Dioscorides for the synthesis of a cop­
         per sulfide. The instructions given are similar to those in the Indian recipe from  Dutta quoted
         earlier. Dioscorides' recipe  139  states that

             copper  calcine is  made in this way. Make leaves out of very clean  copper  and put these
             leaves in  an  unused  pot with  some ground  natural  sulphur;  and  spread  out  the  leaves
             in  a cooking-pot; then  sprinkle sulphur  on  top,  and  again put  leaves  and  sprinkle sul­
             phur;  do  so repfeatedly until you have  filled  the pot. Then, place  the pot in a glasswork-
             er's furnace, and cook for 3 days and when it has cooled, break it up very small. (Smith and
             Hawthorne 1974:12)

         If the pot were well sealed, the product would certainly be a copper sulfide, or a mixture of  cop­
         per sulfides, depending on the conditions of the reaction and the temperatures  reached.
             A number of  historical records describe the action of  sulfur on copper and the formation of
         sulfides, including observations by Geber  in his Summa perfectionis magisterii (The Sum of Per­
                                          5
         fection, or the Perfect Magistery), written in the fourteenth century (Mellor 1928), and those of
         the  German philosopher and theologian Albertus Magnus  (1200-1280), who studied the reac­
         tion of sulfur with  a variety of metals. It took some time, however, before  the diversity of these
         copper sulfides was fully  appreciated.






                                                          C O P P E R  S U L F I D E S
                                                                    225
   237   238   239   240   241   242   243   244   245   246   247