Page 246 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 246

underwater finds from  the work  of  MacLeod (i982, 985)  is illustrated in PLATE 9 .  PLATE  4 0 is
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           a scanning  electron photomicrograph of a leaded  brass nail from  the Rapid  showing  extensive
           corrosion producing covellite, chalcocite, and a variety of lead  sulfides.
              Nord, Lindahl,  and Tronner  (1993)  described  yet another  sulfide found on a copper alloy
          compass ring salvaged  from  the wreck of the  S S Kronau, which  sank in the Baltic Sea in  1676.
          The object had an inner, grayish corrosion layer with occasional bluish tinges that was identified
          by  X-ray diffraction  as spionkopite, Cu 39 S 28 .  This product was only characterized  as a natural
          mineral in  1 9 8 0  (Goble  i 9 8 o ) .  Covellite was  also identified  from  this particular Baltic site. Less
          reducing sediments favor covellite formation over spionkopite, which  has  a stoichiometry that
          approximates  to Cu 14 S.
              Corrosion during burial or in stagnant conditions, such  as a hot spring, may deposit  cop­
          per  sulfides on other materials or react with contiguous  objects  to form mixed cation products,
          as the work of  Daubree  (1881) has shown. Another example is the Anglian helmet from  the Cop-
          pergate burial site  at York, England. The  helmet  is a crested  Scandinavian  type  analogous to
          one  found  at  Sutton  Hoo,  6  Suffolk,  England,  and  has  a  complex  construction  of iron  plates
          reinforced  and decorated  with copper  alloy bindings (Tweddle 1992). The helmet was well pre­
          served  because it was buried in an  anaerobic deposit. This oxygen-deficient environment  cre­
          ated  unusual  corrosive  events resulting in siderite, FeCO s ,  identified on  the  iron  plates,  and
          chalcopyrite, CuFeS 2,  and bornite, Cu 5 FeS 4 ,  on the  copper  alloy components.  All  of the  min­
          eral identifications were  determined by X-ray diffraction.  Bornite was  also reported by Organ

          (198i)  as part  of  the encrustation  on a Classical bronze horse in the collections of  the Metropol­
          itan Museum  of  Art.
              In  an extensive  study, Duncan and Ganiaris  ( i 9 8 7 )  described  the corrosion products  found
          on  first-century  C.E. Roman bronzes from waterfront sites along the Thames in London, where
          land  reclaimed  from  the  river produced  areas of anaerobic  activity,  rich  in  sulfate-reducing
          bacteria.  Medieval sites such  as York, England, and Trondheim, Norway, may possess similar
          environmental conditions. The bronzes from  the Thames were  sometimes  found to be  covered
          with  a dull,  golden,  sulfidic layer  over  a black corrosion  crust,  such  as  that  exhibited by  the
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          fourteenth-century  bronze trumpet shown in PLATE 41. Oddy and Meeks  (19 i )  described a sim­
          ilar golden layer on a Roman brass bust in the British Museum as "pseudo-gilding," but Duncan
          and Ganiaris, who studied the same object, determined that this layer was, in fact, a natural cor­
          rosion layer rather  than a deliberately gilded surface.  Analysis showed that these golden  layers
          are  composed  of chalcopyrite, CuFeS 2,  or pyrrhotite, Fe (1 . x) S,  often in combination. PLATE 42
          shows  a partially cleaned  Roman coin with  a black sulfide layer under  chalcopyrites;  PLATE 43
          illustrates a medieval key covered by botryoidal chalcopyrites and revealing some of the metal­
          lic  core underneath.  The minerals in the black crusts on sheet-copper objects  from  waterfront
          sites were identified  as chalcocite, Cu 2 S;  covellite, CuS; and rare occurrences of  geerite,  Cu 16 S.





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