Page 288 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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TABLE 9.2     CHARACTERISTICS OF  SOME BASIC COPPER  ACETATES



                             CHEMICAL  NAME         FORMULA                      COLOR
                             basic copper (II) acetate (A)   [Cu (CH 3 COO)  2  ]  2  · Cu (OH) 2 · 5H 2 O   blue
                             basic copper (11) acetate (B)   [Cu(CH 3 COO) 2 ]Cu(OH) 2 -5H 2 0   pale blue
                             basic copper (11) acetate (c)   Cu(CH 3 COO) 2 [Cu(OH 2 )] 2   blue
                             basic copper (II) acetate (D)   Cu (CH 3 COO) 2 [Cu(OH) 2 ]  3 · 2H 2 O   green
                             basic copper (II) acetate  (H)   Cu (CH  3 COO)  2  [Cu(OH) 2  ] 4 · 3H 2 O   blue green

                             Letters in parentheses refer to in-text citations of individual compounds.




                  The compound was obviously made to be used  as a pigment at an early date, though most
              of the published evidence derived from  scientific examination of paintings places the predomi­
              nant period of use from  the thirteenth to the nineteenth century. The pigment continued to be
                                             I
              made up to the advent of World War ,  although it was already becoming less common, even
              at the beginning of the nineteenth century. These verdigris pigments were sometimes  compli­
              cated mixtures of compounds, which was recognized in practice by statements  noting the suit­
              ability of use  for  a particular pigment. Historical  texts  sometimes  state that  the verdigris in
              question is nearly insoluble in water, or highly soluble in water, or unsuitable for use in manu­
              script illumination, or recommended  as a pigment for general use but not suitable for works of
              fine  art. These  wide-ranging properties were a natural consequence  of the pigment's mode of
              production, which was primarily by deliberate corrosion of copper or copper alloys using a vari­
              ety of organic materials, such  as the lees of wine,  stale vinegar, curdled milk, urine, and other
              substances. These mixed or impure products all went under the generic name of verdigris.
                  As  alchemical knowledge grew  more  sophisticated,  new  compounds  were  prepared  by
              recrystallization of the initial reaction products or by starting a recipe with known copper com­
              pounds rather than with copper sheets or  filings.
                                     I  BASIC  AND  NEUTRAL  VERDIGRIS  The  copper  acetates  are
              divided into two groups: the basic copper (II)  acetates and the neutral copper (II)  or copper (I)
              acetates. The basic copper acetates are the more important group, since the difficulties of char­
              acterizing most of the verdigris salts depend on these basic compounds. Most of the work on the
              basic copper acetates reported in the chemical literature can be traced back to an unpublished
              doctoral thesis by Gauthier (i958). This has only recently been revised by Rahn-Koltermann and
              coworkers  (i99i). The compounds, which  are identified in the following  discussion by capital
              letters, are listed in TABLE 9.2.




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