Page 324 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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then  decomposed with  a clear solution of potassium  carbonate. As soon  as  the resulting  effer­
              vescence slowed down, additional potassium  carbonate solution was  added in small  amounts.
              The precipitated green  copper  carbonate was then added to a new solution of copper  nitrate to
              which a potassium  zincate  solution was  also added. This solution was made by dissolving clip­
               pings of metallic zinc in a solution of potassium  hydroxide. When  the solution cleared, it was
               added to the solution of copper  carbonate in copper  nitrate. This precipitated a light blue syn­
               thetic pigment that is sometimes called light Bremen blue.
                                     I  SCHEELE'S  GREEN   Scheele's  green  is  copper  arsenite,
               CuHAs0 3 ,  a pigment discovered by the  Swedish  chemist Carl Wilhelm  Scheele (1742-86)  in
                                                                                       3 2
               1775  while working on arsenic compounds.  Scheele was well aware of its poisonous  properties
               and warned others of  the danger in using the compound  as a pigment. The formula for Scheele's
               green  is  variable,  depending  on  the  preparation  conditions.  A  synthesis  by  Schweizer  and
               Mühlethaler  (i968)  suggests that  copper  diarsenite,  2CuO-As 2 0 3 -2H 2 0,  forms in  the  cold;
               copper  orthoarsenite,  3CuO-As 2 0 3 -2H 2 0,  forms in hot  solutions;  and  copper  metaarsenite,
               CuO'As 2 0 3 ,  forms when the arsenic content  is increased.
                  These arsenic-containing pigments were often referred  to as "arsenates" in older literature,
               but  this  is not  correct. The  arsenates are  based on As0 4 ~,  and  these pigments  are  based on
                                                            3
                   3  ~, which makes them arsenites. Some of  the arsenites may be polymeric; for example,  the
              As0 3
               metaarsenites are  composed  of extended  anionic chains formed by oxygen-bridged, pyramidal
                   units  (King 1996). This helps to explain some of the  difficulties  with identification some­
              As0 3
               times encountered  with this group  of  pigments. Work by Stavenhagen (i895) suggested that  the
               composition of a particular  copper  arsenite depended on  the  method of synthesis.  Both cop­
              per  diarensite  and  orthoarsenite  are  a lighter shade of green  than  the  color usually associated
              with  Scheele's green. All  of these factors  make it difficult  to identify the pigment from  the  usual
               microsample.
                  Scheele's  green  has  a  deep  green  color  and  reasonable  covering  power  as  a  pigment,
               although the extent  of  its  use  as a pigment is not entirely clear. A process for its production was
              patented in England in  I812,  and  the  pigment  was  then  sold  as  "patent  green."  The original
              preparation  mixed potash and a pulverized material called "white arsenic" (apparently  arsenic
               sulfide, As 2 S 3 , rather  than arsenious acid,  As 2 0 3 ) in water. The solution was heated and slowly
               added to a warm solution of copper  sulfate. It then was allowed to stand until  a green precipi­
               tate formed that was then washed  and dried.
                  A  preparation  by  Liebig  (1823)  began  with  dissolving verdigris in warm  vinegar,  then
               adding an aqueous solution of  arsenic sulfide to obtain a dark green precipitate. Additional vine­
              gar was added to redissolve  the precipitate, and the solution was then boiled and cooled to pro­
               duce the brighter green of the copper  arsenite.






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