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           A FINELY-CAST BRONZE OKIMONO OF A RAT             all Japan aside from the ruling Tokugawa dynasty. In the very early
           By Muroe Kichibei (1841-1903), Meiji era (1868-1912), circa 1880   years of the Meiji era, government bureaucrats encouraged the
           Naturalistically modelled with its head lowered and one front paw   development of a metalworking industry in both cities, in particular
           raised, its long tail curled round to the side, its dark-brown patinated   by commissioning work for display at the Vienna Weltausstellung
           bronze body rendered with minutely chiselled fur details, its eye inlaid   (World Exposition) held in 1873. Following the success of Japanese
           in shakudo, signed on the underside Muroe Kichibei saku within an   metalwork at that great global event, Takaoka entrepreneurs set up
           oval rectangular reserve; with a wood storage box inscribed outside   private companies to capitalize on new opportunities for international
           the lid Munetomo saku nezumi okimono [...] (Okimono of a rat made    trade. The city remains to this day a major centre for the manufacture
           by Munetomo [alternative name of Kichibei]), inside the lid attached   of ornamental bronze.
           with a paper slip inscribed with the artist’s biography, sealed Dokuan.
           6.5cm x 15cm (2½in x 5 7/8in). (2).               Like Suzuki Chokichi in Tokyo, Muroe Kichibei and his colleagues in
                                                             Takaoka and Kanazawa combined outstanding bronze-casting and
           £18,000 - 20,000                                  bronze-finishing skills, honed by centuries creating Buddhist images
           JPY2,600,000 - 2,900,000                          complemented by the crafts of inlay and chiselling that had long been
           US$24,000 - 26,000                                an essential component of sword decoration. For a similar model of a
                                                             rat, also by Muroe Kichibei, see Meiji-ki Takaoka Doki Chokin Meisaku
                                                             Hozonkai (Association for the Preservation of Masterpieces of Meiji-Era
           During the Edo period (1615–1868), the cities of Kanazawa in Kaga   Bronze Vessels and Metalwork from Takaoka), Takaoka doki: Meiji-ki
           Province (present-day Ishikawa Prefecture) and Takaoka in Etchu   chokin meisakushu (Takaoka Bronzes: Collected Masterpieces
           Province (Toyama Prefecture) developed as major artistic metalworking   of Meiji-Era Metalwork). Takaoka, Toyama Prefecture, 1985,
           centres thanks to the patronage of the Maeda clan, the wealthiest in   unpaginated.



           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  111
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