Page 107 - Bonhams NYC Indian and Himalayan Art March 2019
P. 107

892
           A COPPER ALLOY FIGURE OF MANJUSHRI                While the three-leaf crown and the treatment of his pectoral muscles
           WESTERN TIBET, KASHMIR STYLE, 11TH/12TH CENTURY   are reminiscent of Kashmiri bronzes, his face has significantly deviated
           Himalayan Art Resources item no.61912             from the Kashmiri chubbiness. Also, the folds of his lower garment are
           6 in. (15.2 cm) high                              rendered with incised lines, rather than raised patterns. Compare this
                                                             figure’s torso, crown, incised dhoti, and vajra-tipped sword to a seated
           $25,000 - 35,000                                  figure of Manjushri published in von Schroeder, Buddhist Sculptures in
                                                             Tibet, Hong Kong, 2001, pp.172-3, no.50D.
           藏西 克什米爾風格 十一/十二世紀 文殊菩薩銅像
                                                             Provenance
           This handsome figure of Manjushri is an example of early Western   Private Asian Collection, acquired in Hong Kong, 1990
           Tibetan sculpture borrowing the artistic style of Kashmir. As noted by
           Pal, it is known that Kashmiri artists were physically present in Western
           Tibetan monasteries during the 11th and 12th centuries (see Pal,
           Bronzes of Kashmir, New York, 1975, p.241). Given its geographical
           proximity, the art of northwestern India had a more immediate influence
           on the evolution of early Western Tibetan style than Pala art.































































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