Page 108 - Bonhams NYC Indian and Himalayan Art March 2019
P. 108

893
           A COPPER ALLOY FIGURE OF VAJRASATTVA              into which all enlightened beings dissolve. His name meaning “Vajra
           TIBET, CIRCA 13TH CENTURY                         Being”, Vajrasattva is the Adi Buddha ascribed agency. He is frequently
           Himalayan Art Resources item no.61918             invoked for purification rituals and as a bodhisattva. The Nyingma also
           9 in. (23 cm) high                                treat him as a yidam. In certain instances, Vajrasattva is considered a
                                                             sixth Presiding Buddha, representing their ethereal unity.
           $80,000 - 120,000
                                                             The bronze’s overall style and iconography closely follow classic
           西藏 約十三世紀 金剛薩埵銅像                                   Pala models of 11th- to 12th-century Northeastern India known to
                                                             have inspired early Tibetan sculpture. Compared to one such Pala
           Accurately depicting the Adi-Buddha according to prescribed   Vajrasattva, the present bronze is modelled in an almost identical
           iconography, this quite singular bronze figure of Vajrasattva is further   seated posture with a sensuous bend in the waist (von Schroeder,
           embellished with a number of rare and creative auspicious motifs.   Indo-Tibetan Bronzes, Hong Kong, 2003, p.289, no.72E). Both
           Surprising fine details are in abundance, including the many incised   sculptures afford Vajrasattva elegant proportions and naturalistically
           animals on the back of his thighs, and the tiny wolf-like creature running   modelled fingers and toes. Both also reproduce Vajrasattva’s scarf
           on the front left of the base’s foot. Additional floral motifs between the   flailing upwards by his shoulder with ‘fishtail’ pleats.
           base’s rear lotus petals, and Vajrasattva’s crown ribbons being tied in
           an endless knot, are more enhancements that supplement Vajrasattva’s   Meanwhile, the artist of this extraordinary Vajrasattva departs from
           iconography, distinguishing this extraordinary example.      the purely imitating Indian models by altering the facial type, crown
                                                             leaves, and lotus base. The downward-facing flower at the center of
           From metaphysical debates on the multiplicity and unity of   the base’s foot is similarly shown on a 13th-/14th-century gilt bronze
           Buddhas, arises the notion of an Adi-Buddha: a primordial source of   Buddha from the medieval Khasa Malla Kingdom of western Tibet and
           enlightenment pervading the universe, from which all things come and   Nepal (Bonhams, New York, 19 March 2018, lot 3019).


























































           106  |  BONHAMS
   103   104   105   106   107   108   109   110   111   112   113