Page 20 - Bonhams Fine Japanese Works of Art Sept 2015
P. 20

3017 (part lot)                                   3018                                                   3018

3017                                              3019                                                   ANOTHER PROPERTY
OHARA KOSON/SHOSON (1877-1945)                    OTA MASAMITSU (1892?-1975)
Five woodblock prints                             One woodblock print                                    3021
An oban tate-e entitled Cockatoo and              An dai oban tate-e, from the series Gendai             MUNAKATA SHIKO (1903-1975)
Pomegranate [S36.1], 1927, signed/sealed          butai geka (Leading Figures of the Modern              Hara: A Line at the Foot of Mt. Fuji
Shoson, published by Watanabe; and four           Stage in Their Most Famous Roles), entitled            A monochrome woodblock print mounted
dai tanzakuban tate-e, each sealed Koson,         (10) Miuranosuke, jushichidai-me Nakamura              as a hanging scroll, ink on paper; from
including Wild Mallard [K7.11], Copper            Kanzaburo jo depicting Nakamura Kanzaburo XVII         Munakata’s Tokaido Road series, 1963-64,
Pheasant on a Rock [K21.16] and Chicks and        as Miuranosuke in the kabuki drama Kamakura            the upper right entitled Hara with the pencil
Worm, [K38.9] all published by Daikokuya, the     sandai-ki, circa 1955, signed Masamitsu, with          inscription 14 and notation Suso ichimonji
last Crow Eating a Persimmon [K5.13] published    artist’s seal, bottom margin with additional notation  accompanied by three red seals, the bottom
by Kokkeido, the last two prints signed Koson -   Banchoro zohan (publisher copyright) and Miyake        margin signed in pencil Shiko in katakana
very good impressions, good color, some toning    Koshodo shosatsu (printer) - very good impression      and Munakata in Roman letters followed by a
15 3/8 x 10 1/8in (39 x 25.9cm) dimensions        and color, with two pin holes on the left margin,      written seal
of first                                          otherwise very good condition; together with           With a wooden storage box
$800 - 1,200                                      original folder (some foxing)                          16 3/8 x 21 1/8in (41.8 x 53.8cm)
                                                  16 7/8 x 10 7/8in (42.5 x 27.6cm)                      $5,000 - 7,000
For other impressions of these prints see Amy     $600 - 800
R Newland, Jan Perrée and Robert Schaap,                                                                 This series resulted from several sketching
Crows, Cranes and Camellias: The Natural          PROPERTY FROM THE COLLECTION OF                        trips along the Tokaido Road that the artist
World of Ohara Koson, Leiden, 2001, pp.           FRANK AND GEORGIA JAMES                                embarked on between April 1963 and
171-2 [K5.13 and K7.11], p. 179 [K21.16], p.                                                             February 1964. This print is said to convey
188 [K38.9] and p. 200 [S36.1].                   3020                                                   Munakata’s emotional response to the
                                                  KASAMATSU SHIRO (1898-1992) AND                        majesty of Mount Fuji.
3018                                              OHARA SHOSON (1877-1945)
KAWASE HASUI (1883-1957) AND OHARA                Four woodblock prints                                  Another impression is in the collection of
SHOSON (1877-1945)                                The first three dai-oban tate-e; each signed           the Art Institute of Chicago (Japanese Print
Two woodblock prints                              in ink Shiro Kasamatsu and with artist’s seal,         Purchase Fund, 1965.398)
The first an oban tate-e entitled Snow at         lower right margins also sealed Shiro Hanga,
Yakumo Bridge signed and sealed with              comprising Shisendo, 1960, edition 170/200,
circular Watanabe publisher seal- good            Risshun (Setting in of Spring), 1964, edition
impression, slight toning in the top left corner  36/200 and Kasuga Shrine, 1964, edition 4/200;
and along bottom margin, one tiny loss to the     the last an oban tate-e entitled Willow and Snow
paper at the top right corner; the second an      Bridge, signed and sealed Shoson, the lower left
oban tate-e entitled Willow and Snow Bridge,      with a circular Watanabe publisher seal (6mm)
signed and sealed Shoson, with circular           - very good impressions and color, the last with
Watanabe publisher seal-good impression           slight crease and two pin holes on the margin
and color, slight discoloration overall, paper    16 1/2 x 11 1/4in (42 x 28.7cm)
toning along the bottom edge, tape residue        16 x 11 1/8in (40.5 x 28.3cm) [two]
stains along top edge and corners of verso        15 1/4 x 10 3/8in (38.8 x 26.5cm)
15 3/8 x 10 1/4in (39.1 x 26cm) (both)            $600 - 800
$1,500 - 2,500
                                                  After Shiro Kasamatsu left the commercial
                                                  publishers Watanabe and Unsodo in the late
                                                  1950s, he began to carve and print his own
                                                  designs in limited editions.

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