Page 215 - 2021 March 16th Japanese and Korean Art, Christie's New York City
P. 215

254 A     CELADON               STONEWARE                   JAR     WITH         FOUR
               HANDLES

               GORYEO DYNASTY (12TH CENTURY)
               The elegant-shaped body with wide mouth
               and evenly rounded shoulders above the
               tapering body, applied with four loop handles,
               incised on four sides with a large lotus spray
               and the neck with auspicious fungus-head-
               shaped cloud collar, covered by a rich green
               celadon glaze with high sheen and dense
               crackle
               10 in. (25.4 cm.) high

               $100,000-200,000


               PROVENANCE:
               Private Collection, Japan, acquired prior to 1930s
               With its satisfying shape, harmonious decoration of fully
               blooming lotuses, and exquisitely colored celadon glaze,
               this vase is compellingly beautiful. Korea’s best-known
               ceramics,  the  celadon  wares,  were  produced  during
               the  Goryeo  dynasty  (918–1392),  an  era  of  supreme
               artistic refinement. Plain vessels and ones with molded,
               incised, or carved decoration typify eleventh- and early
               twelfth-century Korean wares, while ones with designs
               inlaid  in  black  and  white  slips,  such  as  this  superb
               vase,  epitomize  those  from  the  mid-twelfth  through
               the  fourteen  centuries.  Korean  celadon  glazes  tend
               to  be  more  transparent  and  also  more  bluish  green
               than those of contemporaneous Chinese celadons. The
               finest Korean celadons rival their Chinese counterparts
               in  terms  of  both  artistic  sophistication  and  technical
               achievement.  Virtually  identical  vase  with,  dated  to
               the  twelfth  century,  appears  in  the  collections  of  the
               Museum Fine Arts, Boston (19.927).
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