Page 495 - Oriental Series Japan and China, Brinkly
P. 495
MANUFACTURING PROCESSES
only of red or brown strokes applied to fragments of
white coloured glass.
"
regard to the thickness of the colours
Having
employed and yet to the lack of intensity, is many
cases, of the tone obtained, one is led to conclude
that these colours, compared with our own, contained
but a small proportion of the principal colouring
matters. The conclusion has been fully verified by
experiments. They prove that the colours by means
of which the Chinese obtained such remarkable
results, in respect of brilliancy and harmony of deco-
rative effect, had much more analogy with the vitri-
fied substances known as enamels than with anything
else.
" Whatever be the origin of the colours used for
the decoration of porcelain in China, they all present,
simultaneously with great simplicity, a character of
similarity which cannot escape attention. The flux,
which is not distinct in the colour, is always composed
of silica, of oxide of lead in proportions somewhat
variable, and of a greater or less quantity of alkalies
(soda and potash). This flux retains, in a liquefied
state, as silicates, some hundreths only of colouring
oxides : heir number , is exceedingly limited. The
colouring matters are, oxide of copper for greens and
bluish greens ; gold for reds oxide of cobalt for
;
blues oxide of antimony for yellows ; arsenical acid
;
and stannic acid for whites. Oxide of iron and
oxides of impure manganese (which give, one a red,
the other a black) constitute the only exception,
doubtless because it is impossible to obtain these
colours by the process of liquefaction from the oxides
mentioned above.
" This special composition of the colours used in
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