Page 72 - 2020 Sept 22 Junkunc_ Chinese Jade Carvings _ Sotheby's NYC Asia Week

9/2/2020 Junkunc: Chinese Jade Carvings | Sotheby's

Compare a celadon jade figure of Dongfang Shuo, attributed to the 18th-19th century, in the collection of the Victoria & Albert
Museum, London, acc. no. 1633&A-1882. Another, attributed to the late Ming/early Qing period, is illustrated in Chinese Jades
from Han to Ching, Asia Society, New York, 1980, pl. 101. See also a white jade figure attributed to the late Ming period illustrated
in Jades from China, The Museum of East Asian Art, Bath, 1994, cat. no. 101. For a late Qing example, see one in the collection of
the Asian Art Museum, San Francisco, included in Michael Knight, He Li, and Terese Tse Bartholomew, Later Chinese Jades: Ming
Dynasty to Early Twentieth Century, San Francisco, 2007, pl. 324.

東方朔形像多為手持桃實一串連桃枝及葫蘆，表現其偷桃以求長壽之傳説，本像東方朔僅携一桃而非成串桃實，甚爲鮮見。比較一青玉雕
東方朔像，斷代十八至十九世紀，現存於維多利亞與艾爾伯特博物館，倫敦，藏品編號1633&A-1882。另一例斷代明末或清初，圖載於
《Chinese Jades from Han to Ching》，亞洲協會，紐約，1980年，圖版101。另比一白玉例，斷代明末，載於《Jades from China》，
東亞藝術博物館，巴斯，1994年，編號101。再比一例，斷代晚清，現藏於舊金山亞洲藝術博物館，載於 Michael Knight、賀利及謝瑞
華，《Later Chinese Jades: Ming Dynasty to Early Twentieth Century》，舊金山，2007年，圖版324。

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