Page 74 - ART OF THE ISLAMIC AND INDIAN WORLDS Carpets, Ceramics Objects, Christie's London Oct..27, 2022
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                                    A KNEELING YOUTH HOLDING A CUP
                                    SAFAVID IRAN, CIRCA 1600
                                    Opaque pigments heightened with gold on paper, laid down between gold
                                    and black rules, within inner borders with twelve panels of poetic verse in
                                    black nasta'liq and outer black border with gold split palmettes and gold and
                                    polychrome rules on buff margin with gold arabesques, pasted on card and the
                                    reverse with inscriptions in pencil
                                    Painting 6q x 3æin. (16.5 x 9.5cm.); folio 13q x 9in. (34.3 x 23cm.)
                                    £30,000-40,000                      US$35,000-46,000
                                                                          €35,000-46,000

                                    LITERATURE:
                                    Pratapaditya Pal (ed.), Islamic Art. The Nasli M. Heeramaneck Collection. Gift of
                                    Joan Palevsky, Los Angeles, 1973, no.227, pp.133-34.
                                    Single-page portraits of this type were very much in vogue in Isfahan in the
                                        th
                                    late 16 century. As the city became more prosperous towards the end of the
                                    century, so a new class of subjects emerged, young dandies – elegantly clad,
                                    like ours, and often seemingly idle. These beautiful young men and women
                                    were typical subjects for the artists that quickly became most associated
                                    with the genre, such as Sadiqi Beg (1533-ca.1612) and Reza ‘Abbasi
                                    (ca.1560s-1635). The wonderfully large turban worn by our youth is similar in
                                    style to that found on a painting by Reza ‘Abbasi in the Metropolitan Museum
                                    of Art, of a Man in a Fur-Lined Coat(acc.no.55.121.39) and its companion
                                    piece a painting of a Barefoot Youth (in the Art and History Trust, Houston,
                                    published in Sheila Canby, The Rebellious Reformer. The Drawings and
                                    Paintings of Rizy-yi ‘Abbasi of Isfahan, London, 1996, no.35). Another painting
                                    of a youth with a similarly large turban, also by Reza ‘Abbasi, is in the Victoria
                                    and Albert Museum (inv.L.6964).





























                            Pratapaditya Pal (ed.), Islamic Art. The Nasli M. Heeramaneck Collection. Gift of Joan Palevsky,
                            Los Angeles, 1973, no.227, pp.133-34)






          72     In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty                                                                                               73
                 fee are also payable if the lot has a tax or λ symbol. Check Section D of the Conditions of Sale at the back of this catalogue.
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