Page 64 - Bonhams Fine Chinese Art London Nov. 2019
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The serene meditative expression of this sculpture, rendered through   The Sui dynasty emperors used this invigoration of Buddhist faith
           the sensitive carving style and harmonious curves, epitomizes the   as an opportunity to embark on major building projects, including
           high quality achieved by stone carvers in the Sui dynasty. The fleshy   the construction of pagodas, temples and religious statuary, as a
           face, narrow eyes, and sharply carved arched brows which form a   means of unifying the fragmented empire. Indeed, Emperor Wen
           harmonious curve with the ridge of the nose, encapsulate the classic   and his empress had converted to Buddhism to legitimise imperial
           style of the Buddha image in the Sui dynasty.     authority over China. The emperor presented himself as a Cakravartin
                                                             king, a Buddhist monarch who would use military force to defend
           The political and social turmoil that accompanied dynastic changes   the Buddhist faith. This religio-political agenda also led to increased
           leading to China’s unification under the Sui dynasty in the late 6th   communication across eastern Eurasia, which contributed to the
           century significantly impacted Chinese Buddhist practice in several   transmission of Buddhist concepts and artistic styles from South and
           ways which are reflected in religious art of the period. In their search   Central Asia into China, and from China to Korea and Japan.
           for refuge beyond the chaos of the material world, a variant form
           of Pure Land Buddhism which allowed adherents to be reborn in   Compare with a related stone head of Buddha, Tang dynasty, with
           Sukhavati (the Western Paradise of the Buddha Amitabha), grew in   similarly low forehead, in the Metropolitan Museum of Art, New York
           popularity. Consequently, images of Buddha proliferated in the third   (ac.no.13.151.1). See also a monumental marble Amitabha Buddha,
           quarter of the 6th century, as evidenced by the present and numerous   Sui dynasty, in the British Museum, London, illustrated in Chinese
           contemporaneous examples.                         Sculpture, New Haven, 2006, fig.3.95. Compare also with a related
                                                             limestone head of Buddha, Northern Qi/Sui dynasty, which was sold
                                                             at Bonhams New York, 19 March 2018, lot 8160.































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