Page 68 - Bonhams Fine Chinese Art London Nov. 2019
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           A PAINTED POTTERY MODEL OF A BACTRIAN
           CAMEL AND RIDER
           Tang Dynasty
           Superbly modelled with a foreign rider sitting on top of a recumbent
           Bactrian camel, the rider perched forward and leaning slightly to the
           left with its right arm clasping the camel’s hump, the wide lapels of his
           fur-lined jacket thrown open, the face with inquisitive expression as
           if looking in the far distance, the camel with bulging eyes and flared
           nostrils gazing into the same direction as the rider, the body painted in
           ochre and red pigments, with orange detail to the nose and black to
           the eyes, the saddle cloth decorated with sylised floral patterns in red,
           green and black.
           48cm (19in) long.
           £30,000 - 50,000
           CNY270,000 - 440,000

           唐 騎駝胡人俑

           Provenance: Ben Janssens Oriental Art Ltd., London, 6 July 2001
           John J. Studzinski CBE, London

           來源:英國倫敦古董商,Ben Janssens Oriental Art Ltd.,2001年7月6日
           大英帝國司令勳章受勳者John J. Studzinski珍藏

           The result of Oxford Authentication Ltd. thermoluminescence test
           no. C101g22, dated 5 April 2001, is consistent with the dating of
           this lot.

           Oxford Authentication Ltd公司熱釋光檢測結果(2001年4月5日,
           編號C101g22)顯示年代與本拍品年代一致。










           Recumbent camels with non-Chinese riders are rare and the   Vast riches poured into the Tang capital, Chang’an, from the Silk Road.
           animated pose of the rider, his expression and the texture of his   Merchants came from far afield to acquire silk, bamboo and lacquer
           sheep-skin coat have been masterfully rendered. From the 6th   wares, and imported perfumes, horse and jewels. Through most of
           century and throughout the entire Tang dynasty, the Bactrian camel   the Tang dynasty, the capital cities of Chang’an and Luoyang were
           frequently appears among the tomb figures of China. The camel   cosmopolitan centres, where men and women of different races and
           was an essential means of transporting merchants and merchandise   religions coexisted in relative freedom. The all embracing attitude adopted
           along the Silk Road into China. It was imported from the areas of   by Tang dynasty Taizong emperor, facilitated the cultural exchanges
           the Tarim Basin, eastern Turkestan and Mongolia. This species was   between the Han Chinese and the foreigners. Travellers included
           highly regarded by the Tang emperors who established dedicated   Songdians, Turks, Uighurs, Arabs, Mongols, Persians and Indians. For
           offices to oversees the imperial camel herd. Referred to as the   reference see E.Schafer, The Golden Peaches of Samarkand: A Study
           ships of the desert, camels endured hot temperatures and were the   of Tang Exotics, Berkeley, 1963, pp.7-40. See also E.R. Krauer, The
           essential method of transport for merchants wishing to conduct trade   Camel’s Load In Life & Death, Cambridge, 1998, pp.50-120.
           with the oasis cities of Central Asia, such as Samarkand, Bukhara
           and Isfahan, along the trading routes of the Silk Road.   A related recumbent camel with a foreign rider is illustrated in Shaanxi
                                                             Provincial Museum, Xi’an, 1983, pl.58; another recumbent camel with
                                                             a Persian rider is illustrated in the Handbook, for the Nelson Gallery of
                                                             Art- Atkins Museum, vol.II, Kansas City, 1973, p.82.












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