Page 75 - Bonhams Fine Chinese Art London Nov. 2019
P. 75

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           A LARGE POTTERY FIGURE OF A
           COURT LADY
           Tang Dynasty
           The elegant figure modelled standing, the
           loose robes pleated in the front to accentuate
           the sway of her body, with both hands in front
           of the chest concealed by the long sleeves,
           the face with full cheeks, a crisply carved
           mouth and almond-shaped eyes, all beneath
           a coiffure drawn up into a overhanging
           chignon, the figure covered in white slip.
           62.5cm (24 5/8in) high.
           £20,000 - 30,000
           CNY180,000 - 270,000
           唐 陶胎彩繪仕女俑

           Provenance: J.J.Lally & Co., New York
           John J. Studzinski CBE, London

           來源:美國紐約古董商,J.J.Lally & Co.
           大英帝國司令勳章受勳者John J. Studzinski
           珍藏

           Wearing extravagantly styled hair and a long,
           flowing, brocaded robe, this court lady provides
           important elements in relation to the study
           of Tang dynasty society and costumes. The
           elegant modelling of the present figure reflects
           the changes in the ideal of feminine eauty taking
           place during the middle of the 8th century.

           Garments made from silk, as well as wool
           and linen were commonly worn at the time,
           though strict laws specified the kind of clothes
           and jewels appropriate for each social class.
           It was considered a style for the ladies to be
           dressed in hufu, 胡服, which was the outfit of
           those who resided in the western regions. The
           gowns were low cut with high waist-band. In
           perfect accordance with the Tang aesthetic
           of opulence, women pleated their skirts in an
           accordion form and raised the waist all the way
           up to the armpits. This way, the waistline was
           barrel shaped to show afull and rounded body
           contour. For reference see Saito Masaru, ‘A
           Reconsideration of the Silk and Horse Trades
           between the Tang dynasty and the Uighur
           Empire,’, Shigaku-Zasshi, vol.108, no.10,
           pp.33-57; see also J.Watt, Dawn of a Golden
           Age 200-750AD, New York, 2005, pp.66-77.

           Compare with a related pottery figure of a
           court lady, Tang dynasty, in the Los Angeles
           County Museum of Art,illustrated in The Quest
           for Eternity. Chinese Ceramic Sculptures from
           the People’s Republic of China, Los Angeles,
           1987, no.83, p.139. A related but larger
           pottery figure of a court lady, Tang dynasty,
           was sold at Christie’s New York, 21 March
           2014, lot 2070.










           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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