Page 223 - Christies Japanese and Korean Art Sept 22 2020 NYC
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          A GILT-BRONZE STANDING FIGURE OF A BODHISATTVA      with long strands of hair cascading over the shoulders. As seen
          THREE KINGDOMS PERIOD (7TH CENTURY)                 here, a crown sometimes surrounds the high topknot. Bodhisattvas
          The slender figure posed on an integral lotus stand holding the   wear ornamental scarves, dhotis of rich silk brocade, and a wealth
          identifying urn in left hand, ornamented with a garland necklace   of jewelry that typically includes necklaces, armlets, bracelets, and
          across the torso and drapery flowing in long, looping pleats from   anklets; this figure’s beaded necklace descends from the neck to the
          the waist and further drapery that enwrapped the arms and that   chest, passes through a medallion at the waist, falls to the knees in
          ends in an upward sweep above the feet, the head cast with a raised   two broad ellipses, and then loops around to the figure’s back. Like
          crown; the reverse side of the figure with a mounting peg at the   Buddhas, bodhisattvas have distended earlobes; some wear earrings,
          back of the shoulder                                others do not.
          5¿ in. (13 cm.) high
                                                              Closely related sculptures are in the collections of the Harvard Art
          $20,000-30,000                                      Museums (1943.53.75) and of the National Museum of Korea
                                                              (NMK), Seoul (M335 and Sinsu 3298; see: National Museum of
                                                              Korea, ed., Masterpieces of Early Buddhist Sculpture, 100 BCE–700
          Elegantly outfitted in the sumptuous trappings of an Indian
          prince of old, this gilt bronze sculpture represents a bodhisattva,   CE, Seoul: National Museum of Korea, 2015, pp. 186-187, no. 92,
          a benevolent being who has attained enlightenment but who has   M335, and pp. 200-201, no. 100, Sinsu 3298). This sculpture bears
          postponed entry into nirvana in order to assist other sentient beings   a striking visual and stylistic similarity to NMK M335, which the
          in gaining enlightenment. Bodhisattvas generally are depicted with   NMK curators date to the seventh century and assign to the Baekje
          a single head, two arms, and two legs, though they in fact may be   Kingdom (c. 18 BC–AD 660), just as it also shows kinship to the
          shown with multiple heads and limbs. Richly attired, bodhisattvas,   seventh-century Harvard figure. The base’s polygonal lower edge
          who may be presented either standing or seated, are represented   finds parallels in the bases of the Harvard sculpture and of NMK
          with long hair often arranged in a tall bun atop the head and often   Sinsu 3298, which the NMK curators date to the seventh century
                                                              and ascribe to the Silla Kingdom (57 BC–AD 935).
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