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          A CELADON STONEWARE INCISED MAEBYONG
          GORYEO DYNASTY (12TH-13TH CENTURY)
          The elegant-shaped body with evenly rounded shoulders above the
          tapered body, with a flat foot enclosing a recessed base, the body
          incised with three long stalks of flowering lotus and incised below the
          shoulders and foot rims with bands of leaves and petals, covered by a
          rich celadon glaze with high sheen and dense crackle
          12 in. (30.4 cm.) high
          $30,000-40,000

          With its satisfying shape, harmonious decoration, and exquisitely
          colored celadon glaze, this maebyeong bottle is compellingly
          beautiful. Korea’s best-known ceramics, the celadon wares, were
          produced during the Goryeo dynasty (918–1392), an era of supreme
          artistic refinement. Plain vessels and ones with molded, incised, or
          carved decoration typify eleventh- and early twelfth-century Korean
          wares, while ones with designs inlaid in black and white slips, such
          as this superb maebyeong bottle, epitomize those from the mid-
          twelfth through the fourteen centuries.

          Known in Chinese as meiping and in Korean as maebyeong—the
          Korean pronunciation of the Chinese name—such bottles had
          appeared in China by the tenth century and had been adopted in
          Korea by the eleventh. Both Chinese and Korean examples from
          the eleventh century have broad shoulders and a narrow base but,
          due to their slightly convex sides, appear a bit stocky; by contrast,
          those from the mid-twelfth century onward are slightly attenuated
          and have bulging shoulders, a constricted waist, and lightly flaring
          foot. Despite the poetic name meaning “plum vase,” maebyeong
          vessels were not vases for the display of cut branches of blossoming
          plum; rather, like the related Chinese meiping vessels, they were
          elegant storage bottles for wine and other liquids, though later
          collectors admittedly did sometimes press them into service as vases
          on special occasions, particularly when inviting learned friends of
          refined taste.
          For similar maebyong see Soontaek Choi-Bae, Seladon Keramic der
          Koryo-Dynastie 918-1392 /Celadon Wares of the Koryo Period 918-1392
          (Koln: Museum fur Ostasiatische Kunst, 1984), cover illustration
          and no. 15; Korai meipin ten / Exhibition of Mei-Ping Vase Koryo
          Dynasty, Korea (Osaka: Museum of Oriental Ceramics, 1985), no.
          2.; Korai seiji e no izanai / An Introduction to Koryo Celadon (Osaka:
          Museum of Oriental Ceramics, 1992), pl. 21.
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