Page 72 - Sotheby's London Fine Japanese Art Nov. 2019
P. 72

THE PROPERTY OF A LONDON COLLECTOR





















































           Rear view


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           A FINE LACQUER DISPLAY CABINET   This fine and impressive cabinet was a special   Zohiko was inspired by the traditional
           WITH INSCRIPTION NANA-SEI        commission from the seventh generation of   Muromachi lacquer techniques utilised in the
           ZOHIKO (ZOHIKO VII)              the Zohiko lacquer lineage. Another Zohiko   bookshelf with ‘The three laughing sages’
                                            cabinet, slightly later in date, but with a design   (Kokei-sansho makie-dana) from the early Edo
           MEIJI-TAISHO PERIOD, CIRCA 1910
                                            of court dancing and Genji themes, was   period (early 17th century), which is now in
           with an asymmetric arrangement of sliding   exhibited at the National Museum of Modern   the Tokyo National Museum, see Beatrix von
           and hinged doors and shelves depicting   Art in Kyoto in 1998. The Zohiko lineage dates   Ragué, A History of Japanese Lacquerwork, p.
           chrysanthemum flowers and hedges, in gold   from the time of the Kyoto lacquer craftsman   147, plate 114.
           and silver hiramaki-e, takamaki-e, hirame   Nishimura Munetada (1720-1773), who
           and kirigane on a kinji and black ground, the   acquired the nickname “elephant boy” (Zohiko)   W £ 80,000-100,000
           structure decorated with fans in gold, silver   for his lacquer image of the deity Fugen   € 90,000-113,000   US$ 99,500-125,000
           and mother-of-pearl on a black lacquer and   (Samantabhadra) on an elephant mount. This
           mura-nashiji ground, applied throughout with   tour de force of the lacquerer’s art is the work
           silver mounts of pierced flower-head design,   of the seventh-generation Nishimura Hikobei.
           with tomobako [original wooden box]  His nephew, the eighth generation, received the
           5.5 x 37 x 95.5 cm., 29¾ x 14⅝ x 37⅝ in.  gold medal for his work at the Panama Pacific
                                            International Exposition of 1915.


           70      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).
                   Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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