Page 82 - SOtheby's Hong Kong Hawthorne Collection Scholar's Art May 2018
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           AN INSCRIBED OLIVE-STONE CARVING OF A     清同治三年(1864年)    湛谷生作核雕夜遊赤壁舫
           BOAT, BY GUSHENG                                           《谷生老道人作》款
           QING DYNASTY, TONGZHI PERIOD, DATED
          JIAZI YEAR (IN ACCORDANCE WITH 1864)       核底刻「前赤壁賦」:
                                                     甲子年七月
           intricately carved with attendants fanning under the awning   壬戌之秋,七月既望,蘇子與客泛舟遊於赤壁之下。清風
           and passengers looking out, each end of the boat with two
           passengers seated at a table and a group of passengers riding   徐來,水波不興,舉酒屬客,誦明月之詩,歌窈窕之章。
           on top of the roof, for a total of twenty-six passengers, deftly   少焉,月出於東山之上,徘徊於鬥牛之間,白露橫江,水
           rendered with openable windows, the underside incised with   光接天;縱一葦之所如,淩萬頃之茫然。浩浩乎如憑虛御
           a poem, paying tribute to the poet Su Shi who visited the Red   風,而不知其所止;飄飄乎如遺世獨立,羽化而登仙。
           Cliff (Chibi), signed Gusheng laodaoren zuo and dated to the
                                                     谷生老道人作
           seventh lunar month of the jiazi year
           4.3 cm, 1¾ in.

           HK$ 20,000-30,000
           US$ 2,550-3,850
          The vogue for miniature crafts, including carving on olive,   those depicting the Song dynasty poet Su Shi and his
           peach, walnut and various other fruit stones was started during   companions in a pleasure boat visiting the Red Cliff (Chibi).
           the reign of the Qianlong Emperor and remained popular
                                                     Compare a carved walnut, the shell worked in high relief with
           throughout the Qing and Republican era. Examples of imperial
                                                     a design of figures and dragons amongst a flower and rock
           miniature craft are illustrated in Masterpieces of Chinese
                                                     landscape, included in the exhibition The Minor Arts of China
           Miniature Craft in the National Palace Museum, Taipei, 1971, pls.
                                                     IV, Spink and Son Ltd., London, 1989, cat. no. 28; and a pair of
           1-50, with an introduction to its history, pp. 78-9.
                                                     finely carved walnut-shell hand exercisers illustrated in Gerard
          The present carving is the work of Gusheng (1802-1876), a   Tsang and Hugh Moss, Arts from the Scholar’s Studio, Hong
           scholar who became a xiucai (county-level rank) at the age of   Kong, 1986, pl. 259. See also another olive-stone carving of a
           22, but did not progress any further. A native of Guangdong,   sampan by Gusheng, sold in these rooms, 2nd June 2016, lot
           Gusheng took up a career as a carver specialising in miniature   77, from the Water, Pine and Stone Retreat collection.
           craft. He became known for his olive-stone carvings, especially
           80      SOTHEBY’S  蘇富比
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