Page 83 - SOtheby's Hong Kong Hawthorne Collection Scholar's Art May 2018
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                           AN INLAID SPRINKLE-LACQUERED               清道光   盧葵生款漆砂嵌寶聽琴圖蓋盒
                            BOX AND COVER                             蓋盒印文及工藝與道光年間漆藝大師盧葵生(名棟,1775
                           SIGNED LU KUISHENG, QING DYNASTY,          至1850年)之手筆無異。盧葵生出身漆藝世家,其祖父
                            DAOGUANG PERIOD                           盧映之創立門戶。盧葵生所作人物圖屏精工卓絕,細緻入

                            the cover embellished in mother-of-pearl, tortoise shell,   微。就此類漆玩定代之論述,見 Sydney L. Moss,《In
                            lacquered wood and various hardstones, depicting a lady   Scholar’s Taste》,倫敦,1983年,編號147,及《文玩
                            playing the qin beneath a prunus tree issuing from a jagged
                                                                      萃珍》,馮平山博物館,香港大學,1986年,頁102。帶
                            rock, while a scholar admires the performance, the interior of
                                                                      盧葵生印之漆器硯盒可比較二例,見《故宮博物院藏文
                            the cover inscribed with a Kuisheng seal
                            9.5 by 25.7 by 16.8 cm, 3¾ by 10⅛ by 6⅝ in.  物珍品全集:清代漆器》,香港,2006年,圖版188及
                                                                      189。
                            HK$ 50,000-70,000
                            US$ 6,400-9,000
                           The seal and style of workmanship on the box identify it as
                            the work of Lu Kuisheng, (given name Dong c. 1775-1850), a
                            lacquer artist active in the Daoguang period. He was part of an
                            established family of lacquer artists started by his grandfather,
                            Lu Yingzhi. Kuisheng’s figural panels are of exceptional quality
                                                                                                   Mark
                           with great attention to detail. For a discussion of dating this
                            type of work, see Sydney L. Moss, In Scholar’s Taste, London,
                           1983, no. 147, and Arts from the Scholar’s Studio, Fung Ping
                            Shan Museum, University of Hong Kong, Hong Kong, 1986,
                            p. 102. For correlative lacquer inkstone boxes bearing Lu
                            Kuisheng’s seal, see The Complete Collection of Treasures of
                            the Palace Museum, Lacquer Wares of the Qing Dynasty, Hong
                            Kong, 2006, pls. 188 and 189.
















































                                                      SCHOLARLY ART FROM THE COLLECTION OF MR & MRS GERARD HAWTHORN   81
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