Page 217 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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the  astrolabist,  while underneath  the  remains  of a  This  globe may well have been made for the  II-
                                                  lighter,  probably earlier, inscription date the piece  Khanid observatory  established by the  Mongol
                                                                                                               at
                                                  to 1235-1236 and explain that  it was made in  ruler Hiilegii (d. 1265)  Maragha in western
                                                  Cairo by the  servant or client of al-Malik  al-  Iran under the direction of the astronomer Nasir
                                                  Ashraf.  This lighter inscription may have been  al-Din Tusi. The surface is engraved with  the
                                                  deliberately  erased because it was becoming  pictures of the  circumpolar constellations  of  the
                                                  effaced  through  wear. The 1235-1236 date is cor-  northern  hemisphere, and is inlaid in silver with
                                                  roborated by the  star positions on the  rete.  In  approximately 1,025  stars —those listed in  the
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                                                  both  inscriptions, the  soubriquets  al-Misri  and bi-  catalogue of the tenth-century  astronomer Abd
                                                  Misr  are not otiose as applied to the artisan, for  al-Rahman al-Sufi.  The globe's southern  hemi-
                                                  the  technique  of °Abd  al-Kanm, even if he was  sphere is only sparingly  engraved, with the  oars
                                                  born in Egypt as al-Misri  implies, shows that  he  of Argo and the  hooves of Centaurus as the  most
                                                  was trained elsewhere, in an area very  much  southerly  elements.  Although  the figure of the
                                                  influenced by the  contemporary metalwork of  constellation Ophioucus has an odd pointed cap
                                                  Mosul in Iraq. He owes his title  al-Maliki  al-Ash-  with three concentric rings, most  of the  constel-
                                                  rafito  his association  with  al-Malik  al-Ashraf  lation  figures are very similar in details to the
                                                  Musa, a nephew of Saladin who reigned in  the  manuscript of al-Sufi's  star catalogue, the  Kitab
                                                  Jazira and parts of Syria  (i2io-c.  1237) and for  Suwar  al-Kawakib al-Thabita  (Bodleian Library,
                                                  whom  he had made an astrolabe dated 1227-1228  Oxford), which was illustrated by his son in  1009
                                                  (Museum of the  History  of Science, Oxford,  (see  cat.  114).
                                                  ex-Comtesse  de 1'Espinasse and Lewis Evans  Col-  The equator  and the  ecliptic — that is, the
                                                  lections).  In 1235-1236, al-Malik  al-Ashraf  Musa  apparent path  of the  sun  in the  heavens — are
                                                  ruled  inter  alia, at Damascus. The inscribed  sou-  graduated in degrees, making longitudes  and the
                                                                   c
                                                  briquet  (nisba)  al-Mu izzi  may well be associated  right  ascensions of the  stars possible to  determine.
                                                                               c
                                                  with  another  of that  ruler's titles,  Mu izz  al-  The great circles of longitude, corresponding  to
       stars  around the North Pole.  On the  reverse  of the  Islam,  "He who brings glory to Islam/' though  o°, 30°,  60°,  90°, and so on,  are engraved  perpen-
       mater is fixed  the  alidade, a flat  ruler that  turns  Shihdb  al-Din was not his honorific title  (laqab)  dicular to the  ecliptic. Because the  ecliptic is set
       around the pole and which  serves to set the  and so the inscribed al-Shihdbi  may relate to  at an angle to the equator, the  globe appears to
       instrument  and read off the  altitude  of the  stars.  someone quite different.  Soubriquets  [Nisbas]  revolve on a slant as it shows the  sun's apparent
                                                          c
         The cast suspension  plaque (kursi)  of this  like al-Mu izzi  were not necessarily drawn  only  daily revolution around the  earth.
       instrument  is lobed, indented,  and inlaid on both  from  the Ayyubids' and Mamluks'  "throne
       sides with  silver arabesques, chased and on a  names/' which they customarily took on their
       stippled ground.  The two rings and the central pin  accession.  Max Van Berchem, who did not  realize
                                                                   c
       keeping the instrument  together  all appear to be  this  fact,  argued that Abd al-Karim must  have
       original.  The rete is exceptional in showing  many  worked for two princes, al-Malik al-Ashraf and al-
                                                            c
       of the  star-pointers  as figural, including  Scorpio,  Malik al-Mu izz, and noted that the only occasion
       Taurus, Cygnus,  Pisces, and Hercules  (en  gona-  on which two rulers of these titles  coincided was
       sin):  they are heavily  inlaid in chased silver and  in Egypt 1250-1251, when  the Ayyubid  al-Malik
       copper. On the inner  ring of the  rete are abbrevi-  al-Ashraf Muzaffar  al-Din  Musa n was deposed
                                                                      c
       ated Latin designations of the  Zodiac signs in  by the  Bahri Mamluk Mu izz al-Din Aybak. Van
       Gothic lettering. The three plaques and the  inner  Berchem's thesis,  though ingenious,  still does not
       face of the  mater, which include readings for  account for al-Shihabi and is also difficult  to rec-
       Cairo, Kufa,  Damascus, and Baghdad, are also  oncile with the date given in the  inscription,
       inlaid in silver and copper.               1235-1236, which is confirmed well enough by
         The back is elegantly  inlaid with  the  signs of  the position  of the  stars identified  on the  rete.
       the  Zodiac.  Certain  peculiarities  of form —Capri-                         J.M.R.
       corn is on its back with  a fish tail, Aquarius and
       Taurus are both shown  sideways, and Virgo is a
       bald giant —suggest that  the figures were drawn
       without  reference to either  a star manual, like the  11 3
                           c
       tenth-century astonomer Abd al-Rahman  al-  CELESTIAL  GLOBE
       Sufi's  Kitab  Suwar  al-Kawdkib  al-Thdbita  (cat.
       114),  or of a celestial globe (cat.  113).  Engraved  12/5-1276
       abbreviations of the  Latin months  were added  western  Iran
       later in Gothic letters.  The remainder of the back  brass, hollow-cast
                                                             2
       is engraved with astrological  tables, but  only as  diameter 24  (9 /s)
       two half-circles. Consequently,  this  example lacks  signed  by Muhammad  b. Hilal  al-munajjim
       the  diversity  of information  on contemporary  (astronomer)  al-Mawsili
       astolabes whose backs are engraved as quadrants.  references:  Dorn 1830, 2:2-371; Drechsler 1873;
       The alidade, which has an undulating trefoil scroll  Repertoire  chronologique 1941, no. 4708;  Mayer
       inlaid  in silver,  is a European  replacement.  1956,  68; Finder-Wilson  1976, 83-101;  Savage-
                                                  Smith 1985
         The engraved inscription tells us that  this
                           c
       instrument  was made by Abd  al-Kanm  al-Misri,  The  Trustees  of  the  British Museum,  London
       216  CIRCA  1492
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