Page 268 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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24 October  1503;  he signed a revised agreement  the  central section of his battle, which depicted  documented fragment  was recorded in Turin in
           for  the  commission on 4 May  1504.  Our  first  the equestrian skirmish around the Milanese  1635,  when the  "nudes"  were described as "larger
           notice of Michelangelo's involvement  dates  from  standard, and starting  to paint this  section on the  than  life  size"  (De Tolnay 1943-60, i, 209-36).
           31 October  1504,  when payments were made for  wall in what appears to have been an experimental  The young Bastiano Sangallo, a member of the
           paper for his cartoon. On  28 February 1505  he  and troublesome oil technique. The surviving  famous  family  of architects and artists, who came
           was paid 280 lire for his work "in painting  the  records of Michelangelo's  lost cartoon suggest that  to be known by his nickname, Aristotele, was one
           cartoon"  (Frey 1909).  Work lapsed after  he was  he too completed only the central section of his  of the young draftsmen who avidly copied the
           summoned to Rome by Julius n, but after  his  cartoon and may have intended to begin painting  figures in the cartoon (Clausse 1900-1902). Orig-
           famous dispute with the  Pope's officials  he  this portion on the wall.              inally a pupil of Perugino, he found that  Michel-
           returned to Florence. On  27 November  1506  the  Vasari indicates that  Michelangelo worked on  angelo's complex figure  style opened his eyes to
           Gonfaloniere,  Pietro Soderini, recorded that  "he  his cartoon in the Ospedale de' Tintori in the dis-  new possibilities for his art.  Vasari, who was
           has started a history  [painting] for the public hall,  trict of S. Onofrio and that when  it was finished it  closely acquainted with Aristotele, provides a well
           which will be an admirable thing".  This reference  was taken to the  Sala del Papa in S. Maria Novella,  informed  account of the  genesis of the  grisaille
           is sometimes  taken to indicate that  Michelangelo  where  Leonardo had previously  worked on his  painting  shown  here.  He indicates that Aristotele
           had begun to paint on the wall, but it is more  cartoon. It is likely that  Michelangelo's cartoon  alone of the  students drew a copy of the  complete
           likely that Soderini was referring to the  cartoon.  was moved from  the  Sala del Papa in  1515  on  the  group, rather than individual figures.  In  1542
           Michelangelo's humbling  reconciliation  with  occasion of the  visit  of Pope Leo x and placed in  Vasari himself persuaded Aristotele  to make a
           Julius in Bologna in November  1506  marked  the  the  great hall of the  Medici Palace. The cartoons  monochrome oil painting from  his prized draw-
           end of his work on the  Battle. His rival, Leonardo,  by Leonardo and Michelangelo were probably not  ing, and the painting was subsequently sent by
           had actually begun to paint the mural in  1505,  but  themselves  intended to be used directly for the  Paolo Giovio to the  King of France, "who valued it
           his journey to Milan in  1506  effectively  ended his  transfer  of the  compositions to the wall. Rather  greatly and richly rewarded Sangallo."  Since the
           involvement with the  project.             "sub-cartoons"  were to be made from  them and  original drawing by Sangallo is lost, the  painting
             The terms  of Leonardo's revised contract of  cut up  for the  process of transfer (Bambach Cappel  has a unique authority  as a record of Michelange-
           May  1504  indicated that  he could choose either  to  1987  and 1990).  Michelangelo's cartoon became  lo's cartoon.  It is an accomplished painting in its
           complete the whole cartoon as his first  obligation,  the  "school" of figure drawing  for the younger  own right, although  Aristotele himself  later
           or to begin painting from  that part of the cartoon  Florentine draftsmen. At some point, probably  decided to specialize in stage design and archi-
           he had already completed.  It seems likely that he  during the  second decade of the  century, it was  tecture rather than in figure painting.  Michel-
           followed the  second option, making a cartoon  for  dismembered  and the parts dispersed. The last  angelo's  own drawings,  together with  drawn and





















































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