Page 280 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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            Leonardo da Vinci
            Florentine, 1452-1519
            STUDIES  OF THE  PROPORTIONS
            OF THE  HUMAN   HEAD  AND EYE

            c.  1490
            pen and  brown ink  on  paper
                             3
                                  1
                                             3
            19.7 x  16  and  14 x  11  (y /4  x  6 /* and  5^2 x  4 /s)
            inscribed with notes on proportions
            references:  Richter  1970/1977, 319-320;
            Pedretti  1975,  4-5
            Biblioteca Reale,  Turin
            Following Carlo Pedretti's  (1975)  recognition that
            these two sheets (Turin 15574,15576) were once
            part of a single page, they have been reconstituted
            in their  original relationship.  These studies of
            human proportion belong to a series of researches
            exclusively concerned with male figures, con-
            ducted around  1490.  This particular facial type —
            that of a mature or even elderly  "warrior" — is
            shared by Leonardo's famous "Vitruvian Man"
            (cat.  175)  and became his standard  physiognomy
            for  a virile male. The study of the  eye on the  left
            portion of the page is shaded with a degree of care  179
            that is unusual in his studies of proportion and  Leonardo da Vinci                   of sight  over the other senses, and his depiction
            may indicate that it was drawn from  life, to con-  Florentine, 1452-1519             of the  eye as an extrusion  of the  coverings of  the
            firm the measurements.                                                                brain illustrates  his concept of the  eye as "the
              Leonardo extended the traditional  system of  VERTICAL  AND  HORIZONTAL             window of the  soul/' The eye itself is depicted as
            proportions, derived from  the writings  of Vitru-  SECTIONS  OF THE HUMAN  HEAD,     a geometrically designed organ with  a spherical
            vius, by undertaking a minutely detailed  analysis  WITH  THE  COVERING LAYERS        lens, as was traditional. Within  the brain is a set
            of the  relationships between all the  components of  COMPARED  TO AN ONION           of three linked flasks or "ventricles," within which
            the body, however small and however distant  from                                     the various mental  faculties, or "inner  senses,"
            one another.  On this page he is chiefly concerned  c. 1489                           were thought to be located. Leonardo works his
            with understanding how the small intervals  pen, brown ink, and red chalk  on  paper  own variation  on this conventional concept. He
                                                                      7
            between  the parts of the  eye, eyelid, and eyebrow  20.6x14.8  (SVsx  5 / 8)
            can be related to other  intervals in the head,  inscribed with notes on the  layers  of  the  scalp,  skull,
            particularly the dimensions of the mouth and  and  brain  Popham  1946, 227; Clark and  Pedretti
                                                       references:
            nose.  The notes in the lower left  quarter of the  1968-1969, 12603; Keele  and Pedretti  1979-1980,
            right portion exemplify  his approach, stating that  327*; London  1989, 94
            "n, m, o, p, q are equivalent to half the width of
            the  lids of the  eyes, that is to say from  the lacri-  Her  Majesty  Queen Elizabeth n, Royal  Library,
            mator  [inner corner] of the  eye to its outer edge.  Windsor  Castle
            And similarly the division that there is between
            the chin and the mouth,  and similarly the nar-  Leonardo's earliest surviving studies of internal
            rowest part of the nose between one and the  other  anatomy are the  series of skull drawings, one of
            eye. And each of these distances in itself is a 9th  which  (Windsor  19059) is dated 1489.  Although
            part of the head, nm is equivalent to the length of  the present sheet (Windsor 12603), which illus-
            the  eye or the distance between the  eyes,  me is  trates traditional concepts of the brain and the
            one third of nm, measuring from  the outer  senses, seems to differ  sharply in approach from
            margin of the  eyelids to the letter  c. bs will be  the very direct observation of firsthand material
            equivalent to the width of the nostrils of the  nose."  in the  skull drawings, it belongs to the same cam-
              The verso of the reconstituted page contains  paign of investigating the  design and function of
            some relatively slight mechanical drawings,  the human head. It shares with the demonstra-
            probably representing devices for the making  tions of the  skull the  innovative use of sections,
            of screw threads.                 M.K.     although  the  combination of a vertical section
                                                       with externally viewed nose, mouth,  and chin in
                                                       the main drawing appears rather uncomfortable.
                                                         Not the  least of Leonardo's concerns in the  1489
                                                       investigations was to demonstrate the superiority


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