Page 49 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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example of artesonado, carved in a geometric  no concession to the Gothic or the Islamic.
                                                  pattern  and covered with  gilding and bright  By the  time of Ferdinand's death in  1516  the
                                                  colors.  The anteroom, executed  slightly later, is  Renaissance style had established  a beachhead in
                                                  another  inspired melange of two cultures.  The  Castile, although  a few more decades would pass
                                                  frescoes,  designed by Borgona but  executed by  before it conquered Spanish art.  The triumph of
                                                  assistants,  represent an illusionistic landscape of  classicism was secured by Philip n  (1.1555-
                                                  fruit  trees and flowers populated by fluttering  1598), the  great-grandson  of Ferdinand and
                                                  birds.  However, the door leading to the chapter  Isabella, who grasped the potential  of harness-
                                                  room  is framed  by a low-relief Islamic design  ing the  style to express the formidable power
                                                  carved in plaster  (yeseria).              and faith  of his Catholic monarchy.  Before  the
                                                    In the  final work commissioned  by  Cisneros  middle of the sixteenth century,  however,  Span-
                                                  for  the  cathedral his transformation into a Re-  ish art was caught up in the  play of contradic-
                                                  naissance prince of the  church is complete.  This  tory forces that were shaping the  society
                                                  is the  Mozarabic Chapel,  so-called because it is  itself.  As the  geographical  frontiers  of Spain
                                                  reserved for the  celebration of the  mass accord-  expanded, its mental world began to turn
                                                  ing to the  medieval Mozarabic rite.  In  1514  Bor-  inward.  In that elastic moment  many kinds of
                                                  gona executed three frescoes  of the  battle of  artistic expression, both traditional  and innova-
                                                  Oran, in which the  saintly prelate Cisneros is  tive, native and imported, were possible.  The
                                                  depicted as a victorious military  commander.  resulting heterogeneity  makes the period one
                                                  On the vault Borgona painted the  illusion of a  of the  most  fascinating in the  history  of Euro-
                                                  coffered  ceiling in correct antique form, making  pean art.
      fig.  9.  Juan de Borgona, Anteroom  of Chapter
      Room. Toledo Cathedral






















































       fig.  10.  Juan de Borgona, Mozarabic Chapel. Toledo Cathedral




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