Page 583 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
P. 583

THE SOUTHEASTERN            UNITED STATES

       Beginning  around  A.D. 1000 a  transformation  vocabulary  of  artistic expression,  employing  Our  knowledge  of  these  high  cultures
       took place in the  area the  Spanish  were later to  human and animal  imagery  in which  changing  depends  heavily  on  the  results  of archaeological
       call La Florida. Large multivillage communities  meanings  can be traced over time. Birds  repre-  investigation.  Contact  between  the  Europeans
       came  to  replace  the  simpler forms  of social  sented  the  upper  world, associated with the  sun  and  the  indigenous  peoples of  this  area was
       organization  that had formerly  predominated.  and  heavenly  sources of  sustenance;  the  ser-  sporadic  until the eighteenth century.  Never-
       Towns  of  considerable size  developed,  centered  pent  stood for  the  opposing dangerous forces  of  theless, diseases introduced  from  Europe in  the
       around  earthen  platforms,  sometimes of   the  underworld.  At  the  end of  this period,  the  sixteenth  century  soon decimated  the  native
       immense size, that were erected to support  the  time of  contact with Europe, the human  form  populations  and  drastically  changed their social
       houses  of  chiefs,  ancestor shrines, and  sacred  could  represent  the gods, the  ancestral  dead,  structure.  The culture  that  had previously  pre-
       fires.                                      and, possibly,  the  living  representative  of  the  vailed  in this  area is only  now  becoming  under-
         The  cultures  in the  Southeast  evolved a rich  ancestral  line.                   stood  and  appreciated.





        424-427

        WOODEN    ANIMAL   FIGURES

        C.  1OOO
        Glades  Culture  (Key  Marco)
        424:  DEER  FIGUREHEAD
                    7
                           3
        20 x  18 x  17.2  (y /s  x  7 x  6 /4J
        425:  WOLF  FIGUREHEAD
                        3
                   2
                            7
        37 x  24 x  15 fi4 /2 x  9 /s  x  5 /s)
        426:  PELICAN  FIGUREHEAD
                       3
                  3
        11 .2 x  6 x  8  (4 /s  x  2 /s  x 3 Vs)
        The  University  Museum  of Archaeology  and
        Anthropology,  Philadelphia
        427:  CAT FIGURINE
                      3
                          3
        15.2  X 7  X 4.4  (6  X 2 /4  X 1 /4J
        Department  of Anthropology,  Smithsonian
        Institution, Washington
        These four wooden  sculptures  from Key Marco,
        off  the  west  coast of Florida, are part  of an
        extraordinary  archaeological find  made in  sub-
        merged muck in the  18905 (Gilliland 1975).  The
        pieces were found together  in the  ruins  of what is
        believed to have been a community  shrine.  The
        figureheads were probably part of a building.
        Similar carved posts have been found in a col-
        lapsed mortuary  structure  and shrine  in the Lake
        Okeechobee  basin to the  east that dates from
        around  A.D.  200 (Sears 1982).  Although  the Key
        Marco pieces are much more  recent,  they  retain
        similar constructional  details and carving  style.
        While  often described as fifteenth-century,  their
        date has been more recently  estimated,  on the
        basis of carbon 14 tests, to about  A.D.  1000  and
        thus  at the beginning of the  Mississippian period
        (Widmer  1988,  89-93).  However,  the  subject
        matter  of these carvings, which  focuses on  locally
        available animals  (dolphin, marine turtle, crab,
        pelican, wolf, alligator,  and duck), is more in keep-
        ing with the imagery  of the period before that
        date. As the  Mississippian  period  progressed,
        animals of pan-regional  mythic  signficance (hawk,

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