Page 127 - Malcolm Gladwell - Talking to Strangers
P. 127

Middlebrook writes:
                       She stripped her fingers of rings, dropping them into her big purse, and from the coat closet she
                       took her mother’s old fur coat. Though it was a sunny afternoon, a chill was in the air. The worn
                       satin lining must have warmed quickly against her flesh; death was going to feel something like
                       an embrace, like falling asleep in familiar arms.
                       She  poured  herself  a  vodka  and  took  her  own  life.  Like  her  friend  Sylvia  Plath,  Sexton  will
                    forever be in the category of doomed genius. “No one who knew Anne Sexton well was surprised
                    by her suicide,” Middlebrook writes.
                       I hope by now, however, that you aren’t satisfied with this account of Sexton’s death. If suicide is
                    a coupled act, then Sexton’s character and pathology should be only part of the explanation for what
                    happened  to  her.  The  same  is  true  for  Plath.  Her  friend  Alfred  Alvarez  believed  that  too  many
                    people have painted her as “the poet as a sacrificial victim, offering herself up for the sake of her
                    art,” and he’s absolutely right. That distorts who she is: it says her identity was tied up entirely in
                    her self-destructiveness. Coupling forces us to see the stranger in her full ambiguity and complexity.

                       Weisburd has a map that, I think, makes this point even more powerfully. It’s from Jersey City,
                    just across the Hudson River from Manhattan.































                    The dark area in the middle—bounded by Cornelison Avenue, Grand Street, and Fairmount Avenue
                    —is a prostitution hot spot and has been for some time. A few years ago, Weisburd conducted an
                    experiment  in  which  he  assigned  ten  extra  police  officers—an  extraordinarily  high  number—to
                    patrol those few blocks. Not surprisingly, the amount of prostitution in the area fell by two-thirds.
                       Weisburd  was  most  interested,  though,  in  what  happened  in  the  lighter  part  of  the  map,  just
                    outside the triangle. When the police cracked down, did the sex workers simply move one or two
                    streets over? Weisburd had trained observers stationed in the area, talking to the sex workers. Was
                    there displacement? There was not. It turns out that most would rather try something else—leave the
                    field entirely, change their behavior—than shift their location. They weren’t just coupled to place.
                    They were anchored to place.

                       We found people would say to us, “I’m in this area. I don’t want to move because it’ll make it
                       hard  on  my  customers.”  Or,  “No,  I  have  to  build  up  a  business  again.”  There  are  all  these
                       objective reasons why they’re not moving. Another reason would be, “If I go someplace else, it’s
                       good for drugs, to sell drugs. There’s already people there, they’ll kill me.”
                       The easiest way to make sense of a sex worker is to say that she is someone compelled to turn
                    tricks—a prisoner of her economic and social circumstances. She’s someone different from the rest
                    of us. But what is the first thing the sex workers said, when asked to explain their behavior? That
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