Page 40 - Orient Collection
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14.  Troops and Slaves Parading at The City Gates of AL- HAMBRA (GRANADA-Spain)


          Artist: Joaquin SOROLLA y BASTIDA, Spanish, (1863 - 1923)
          Execution date (approximate): 1900
          Téchnique: Oil on Canvas (signed lower left)
          Measures: 50 x 73 cm.
          Description: The Museum of Prado p.130: quote “This was Sorolla’s most important work...”
          Legends of José Zorrilla. The Poem of - la Sorpresa de Zahara (1841).
          The takeover of Zahara by The king of Granada, Mulay Hassan Ali in the year 1490, and
          parading the Troops and prisoners at the puerta d’Elvira of the Al-Hambra (Granada). The
          painting was a special demand to J.Sorolla by the King of Spain Alfonso XIII in memory and
          honor to the friendship that his Father King Alfonso XII had with the Poet, José Zorrilla. The
          painting was acquired lately by the Marqueses de Torrelaguna.


          Exhibitions
          De Delacroix A Kandinsky; L’orientalisme En Europe.
          Musées Royaux des Beaux-Arts de Belgique        15.10.2010 - 09.01.2011.
          Kunsthalle der Hypo-Kulturstifung, München      28.01.2011 - 01.05.2011.
          Musées des Beaux-Arts, Marseilles,                       27.05.2011 - 28.08.2011.
          (Réunion des Musées Nationaux de France, rmn)


          Publications
          •  Legends of Jose Zorilla, by Manuel Pedro Delgado de 1901, p.242-243.
          •  The Book of Joaquin Sorolla Museo National Del PRADO-Madrid-Spain, p.129 -130
          •  L’Orientalisme En Europe, De Delacroix À Kandinsky, p.112-113.


          Biography
          Joaquín Sorolla studied at the Museo del Prado in Madrid from the age of 18. He then
          travelled to Rome, where he studied with José Benlliure, Emilio Sala, and José Villegas
          Cordero and worked with F. Pradilla, the director of the Spanish Academy in Rome. In 1885
          he spent several years in Paris which provided his first exposure to modern painting; of
          special influence were exhibitions of Jules Bastien-Lepage and Adolf von Menzel.
          In 1888, Sorolla returned to Valencia, and by 1895 he moved to Madrid where he would
          spend the next decade focusing mainly on the production of large canvases of orientalist,
          mythological, historical, and social subjects.  His works were displayed in salons and
          international exhibitions in Madrid, Paris, Venice, Munich, Berlin, and Chicago.
          His first striking success was achieved with Another Marguerite (1892), which was awarded a
          gold medal at the National Exhibition in Madrid and first prize at the Chicago International
          Exhibition, where it was acquired and subsequently donated to the Washington University
          Museum in St. Louis, Missouri. Sorrolla soon rose to general fame and became the
          acknowledged head of the modern Spanish school of painting. His work The Return from
          Fishing (1894) was much admired at the Paris Salon and was acquired by the French
          government for the Musée du Luxembourg. It indicated the direction of his mature output.
          In 1897, he won the Prize of Honor at the National Exhibition of Fine Art in Madrid.



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